Latina ballad

Latin ballad
Stylistic origins	Bolero, French and Italian ballads
Cultural origins	Cuba, Mexico, Spain, Portugal, Brazil, Argentina, Chile, Italy
Typical instruments	Vocal, guitar, piano, orchestra

Latin ballad (Spanish: balada romántica) refers to a music genre derivative of Bolero that originated in the early-1960s in Latin America and Spain.

Some of the best known artists of the Latin ballad are Julio Iglesias, Luis Miguel, Camilo Sesto, Emmanuel, Nino Bravo, Roberto Carlos, Ricardo Montaner, Raphael and José José among others. Because of its difficulty, the Latin balladeers are often recognized as skilled singers such as the case of Nino Bravo, José José, Luis Miguel or Raphael. In recent decades it has become the dominant musical genre of Latin pop.

The Latin or romantic ballad has its origin in the Latin American bolero in the 1950s (Lucho Gatica, Leo Marini), but also in the romantic song in Italian (Nicola Di Bari) and French (Charles Aznavour) in the 1960s and 1970s.

In Mexico, the first ballad that is registered as such is "Sonata de Amor" (Sonata of Love) of Mario Alvarez in 1961. In 1965 the famous bolero singer-songwriter Armando Manzanero, recorded his first ballad, "Pobres besos míos" (My Poor Kisses).

The heyday of the ballad was reached in the mid-1970s, where artists such as José José, Camilo Sesto, Raphael, Roberto Carlos, Rocío Dúrcal and others released a big number of hits. The main hits of José José were "El triste" (The Sad One), "La nave del olvido" (The Ship of Forgetfullness), "Te extraño" (I Miss You, also written by Manzanero), "Amar y querer" (To love and To want), or "Gavilán o paloma" (Hawk or Dove), "El pasado" (The Past), "Volcán" (Volcano) or "Lo que no fue no será" (What Never Was Will Never Be). By Roberto Carlos the songs "Amigos" (Friends) or "Detalles" (Details). By Camilo Sesto the hits "Fresa Salvaje" (Wild Strawberry), "Perdóname" (Forgive Me) or "Vivir Así es Morir de Amor" (To Live Like This is to Die of Love). Rocío Dúrcal enjoyed worldwide success and was known as "La Dama de la canción" (The Lady of Song). Her successful ballads include "Costumbres" (Customs), "Amor Eterno" (Eternal Love), "Diferentes" (Different), among many others that were released in Latin America.[2] These songs are widely known today in Latin America.

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Wikipedia