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Pompeo Coppini

Pompeo Coppini
PompeoCoppini.jpg
Pompeo Coppini 1929
Born Pompeo Luigo Coppini
(1870-05-19)May 19, 1870
Moglia, Mantua, Italy
Died September 26, 1957(1957-09-26) (aged 87)
San Antonio, Texas
Nationality Italian born
1902 Naturalized AmericanUnited States citizen
Education Accademia dell'Arte del Disegno
Augusto Rivalta
Known for Sculpture
Notable work

Partial listing - Sculptures, except where noted

Website Coppini Academy

Partial listing - Sculptures, except where noted

Pompeo Luigi Coppini (May 19, 1870 – September 26, 1957) was an Italian born sculptor who emigrated to the United States. Although his works can be found in Italy, Mexico and a number of American states, the majority of his work can be found in Texas. He is particularly famous for the Alamo Plaza work "Spirit of Sacrifice" a.k.a. The Alamo Cenotaph, as well as numerous statues honoring Texas heroes.

He was born in Moglia, Mantua, Italy, the son of musician Giovanni Coppini and his wife Leandra (Raffa) Coppini.

The family moved to Florence where at the age of ten, Pompeo was hired to make ceramic horses shaped like whistles. From there, he worked for a sculptor who made tourist knock-offs of great works of art. At age sixteen, he studied at Accademia dell'Arte del Disegno under Augusto Rivalta. Upon earning a degree, Coppini opened a short-lived studio making gratis busts of local celebrities. While working for a cemetery monument sculptor, Coppini tried to become co-owner of the business by courting the owner's daughter. The girl's mother balked, and the resulting situation got Coppini denounced from a local priest's pulpit.

He emigrated to the United States in March, 1896 with nothing but a trunk of clothes and $40 to his name. Coppini got a job in New York sculpting figures for a wax museum. Elizabeth di Barbieri of New Haven, Connecticut arrived, accompanied by a chaperone, to model for Coppini's memorial to Francis Scott Key. He fell in love and married his model. Coppini became a United States citizen in 1902.

While he managed to find work in New York, Coppini was frustrated the fame and greatness escaped him. He moved to Texas in 1901, to join with Germany-born sculptor Frank Teich. He was then commissioned to do the figures for the Confederate monument for the state capitol grounds. For the next fifteen years, he lived and worked in San Antonio. After spending a short time in Chicago, Illinois, he then spent three years in New York City overseeing the Littlefield commission for the University of Texas at Austin. He collaborated with architect Paul Cret on the Littlefield Memorial Fountain, and sculpted six statues for the campus.


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