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Akbar the great

Akbar
Portrait of Akbar by Manohar.jpg
Late 16th century portrait of Akbar by Manohar
3rd Mughal Emperor
Reign 11 February 1556 – 27 October 1605
Coronation 14 February 1556 at Kalanaur, Punjab
Predecessor Humayun
Successor Jahangir
Regent Bairam Khan (1556–1560)
Born Jalal ud-Din Muhammad
(1542-10-15)15 October 1542
Umerkot, Rajputana (present-day Sindh, Pakistan)
Died 27 October 1605(1605-10-27) (aged 63)
Fatehpur Sikri, Agra, Mughal Empire (present-day Uttar Pradesh, India)
Burial Sikandra, Agra
Consort Ruqaiya Sultan Begum
Wives Salima Sultan Begum
Mariam-uz-Zamani
Qismiyah Banu Begum
Bibi Daulat Shad
Raziya Sultan Begum
Rajkumari Rukmawati Baiji Lal
Baiji Lal Bhanumati Kanwari
Baiji Lal Raj Kanwari
Maharajkumari Nathi Bai
Tara Begum Sahiba
Tauti Begum
Rajkumari Manbhaoti
Issue Fatima Banu Begum
Hassan
Hussain
Jahangir
Khanum Sultan Begum
Murad
Daniyal
Shakr-un-Nissa Begum
Aram Banu Begum
Full name
Abu'l-Fath Jalal ud-din Muhammad Akbar
House House of Timur
Father Humayun
Mother Hamida Banu Begum
Religion Islam (Sunni), Din-e-Illahi
Full name
Abu'l-Fath Jalal ud-din Muhammad Akbar

Abu'l-Fath Jalal ud-din Muhammad Akbar, popularly known as Akbar I (IPA: [əkbər], literally "the great"; 15 October 1542– 27 October 1605) and later Akbar the Great (Urdu: اکبر اعظم; literally "Great the Great"), was an Muslim Mughal Emperor from 1556 until his death. He was the third ruler of the Mughal Dynasty in India. Akbar succeeded his father, Humayun, under a regent, Bairam Khan, who helped the young emperor expand and consolidate Mughal domains in India. A strong personality and a successful general, Akbar gradually enlarged the Mughal Empire to include nearly all of the Indian Subcontinent north of the Godavari river. His power and influence, however, extended over the entire country because of Mughal military, political, cultural, and economic dominance. To unify the vast Mughal state, Akbar established a centralised system of administration throughout his empire and adopted a policy of conciliating conquered rulers through marriage and diplomacy. To preserve peace and order in a religiously and culturally diverse empire, he adopted policies that won him the support of his non-Muslim subjects. Eschewing tribal bonds and Islamic state identity, Akbar strived to unite far-flung lands of his realm through loyalty, expressed through a Persianised culture, to himself as an emperor who had near-divine status.

Mughal India developed a strong and stable economy, leading to commercial expansion and greater patronage of culture. Akbar himself was a patron of art and culture. He was fond of literature, and created a library of over 24,000 volumes written in Sanskrit, Hindustani, Persian, Greek, Latin, Arabic and Kashmiri, staffed by many scholars, translators, artists, calligraphers, scribes, bookbinders and readers. Holy men of many faiths, poets, architects and artisans adorned his court from all over the world for study and discussion. Akbar's courts at Delhi, Agra, and Fatehpur Sikri became centres of the arts, letters, and learning. Perso-Islamic culture began to merge and blend with indigenous Indian elements, and a distinct Indo-Persian culture emerged characterised by Mughal style arts, painting, and architecture. Disillusioned with orthodox Islam and perhaps hoping to bring about religious unity within his empire, Akbar promulgated Din-i-Ilahi, a syncretic creed derived from Islam, Hinduism, Zoroastrianism, and Christianity. A simple, monotheistic cult, tolerant in outlook, it centred on Akbar as a prophet, for which he drew the ire of the ulema and orthodox Muslims. Many of his courtiers followed Din-i-Ilahi as their religion as well, as many believed that Akbar was a prophet. One famous courtier who followed this blended religion was Birbal.


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