Bourekas films (Hebrew: סרטי בורקס) were a genre of Israeli-made movies popular in Israel in the 1960s and 1970s.
Haaretz film critic Uri Klein describes Bourekas films as a "peculiarly Israeli genre of comic melodramas or tearjerkers... based on ethnic stereotypes". They were "home-grown farces and melodramas that provided escapist entertainment during a tense period in Israeli history". The term is said to have been coined by the Israeli film director Boaz Davidson, the creator of several such films, as a play-on-words on the "spaghetti western" genre, known as such because that particular Western subgenre was produced in Italy. Bourekas is also a notable dish from Israeli cuisine.
"Gefilte-fish" films, also known as "bourekas for Ashkenazim", are a marginal group of Bourekas films that feature Ashkenazi protagonists and ghetto folklore. Some films in this subgenre include:
The main theme in most Bourekas films is the conflict between ethnic cultures in Israel, in particular between the Mizrahi Jews and the Ashkenazi Jews. The protagonist is usually a Mizrahi Jewish man, almost always poor, canny and with street smarts, who comes into conflict with the institutions of the state or figures of Ashkenazi origin—mostly portrayed as rich, conceited, arrogant, cold-hearted and alienated. In many of these films, actors imitate different Hebrew accents, especially that of Jews originating from Morocco, Persia, and Poland. They employ slapstick humour, alternate identities and a combination of comedy and melodrama.