Wolfgang Paalen
| Wolfgang Paalen | |
|---|---|
Paalen, c. 1940
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| Born |
July 22, 1905 Vienna, Austria |
| Died | September 24, 1959 (aged 54) Taxco, Mexico |
| Residence | Vienna, Berlin, Sagan, Paris, Mexico |
| Nationality | Austrian-Mexican |
| Education | Philosophy, art |
| Known for | Painting, sculpture, art theory |
| Movement | Surrealism |
| Spouse(s) |
1. 1934: Alice Phillipot, later Rahon 2. 1947: Luchita del Solar 3. 1957: Isabel Marín |
Wolfgang Robert Paalen (July 22, 1905 in Vienna, Austria – September 24, 1959 in Taxco, Mexico) was a German-Austrian-Mexican painter, sculptor and art philosopher. A member of the Abstraction-Création group from 1934–35, he joined the influential Surrealist movement in 1935 and was one of its prominent exponents until 1942. Whilst in exile in Mexico, he founded his own counter-surrealist art-magazine DYN, in which he summarized his critical attitude towards radical subjectivism and Freudo-Marxism in Surrealism with his philosophy of contingency. He rejoined the group between 1951 and 1954, during his sojourn in Paris.
Wolfgang Paalen was born in one of the famous Wienzeilenhäuser designed by Otto Wagner in Vienna (Köstlergasse 1 / Linke Wienzeile No. 40), Austria. He was the first of four sons of the Austrian-Jewish merchant and inventor Gustav Robert Paalen, and his German wife, the actress Clothilde Emilie Gunkel. Gustav Robert, who had Polish-Ashkenazi and Spanish-Sephardic origins, converted to Protestantism in 1900 and changed his name from Pollak to Paalen in the same year. His considerable wealth was based on modernist inventions and patents such as the vacuum cleaner, the vacuum flask, known under the name Thermos bottle, and the first flow-type heater (for Junkers), amongst others. In a relatively short period Gustav R. Paalen managed to ascend into the distinguished Viennese upper-class of the Austro-Hungarian Empire. He became also a well known collector of Old Master paintings with masterpieces, like Francisco Goya´s Señora Sabasa Garcia, which he had acquired from the Berlin patron Henri James Simon and is today one of the highlights of the National Gallery, Washington. As a friend of Wilhelm von Bode and member of the Freundeskreis des Kaiser-Friedrich Museums, Berlin, he also financed the acquisition of the famous Titian painting Venus with the Organ-Player.
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