Otto Wagner | |
---|---|
Born |
Otto Koloman Wagner 13 July 1841 Vienna, Austrian Empire |
Died | 11 April 1918 Vienna, Austria-Hungary |
(aged 76)
Nationality | Austro-Hungarian |
Occupation | Architect |
Parent(s) | Rudolf Simeon Wagner Suzanne von Helffenstorffer-Hueber |
Buildings |
Floodgate, Nußdorf, Vienna Rumbach Synagogue |
Projects | Viennese Wiener Stadtbahn |
Floodgate, Nußdorf, Vienna
Karlsplatz Stadtbahn Station
Majolica House
Postal Office Savings Bank Building
Otto Koloman Wagner (German: [ˈɔto ˈvaːɡnɐ]; 13 July 1841 – 11 April 1918) was an Austro-Hungarian architect and urban planner, known for his lasting impact on the appearance of his home town Vienna, to which he contributed many landmarks.
Wagner was born in Penzing, a district in Vienna. He was the son of Suzanne (née von Helffenstorffer-Hueber) and Rudolf Simeon Wagner, a notary to the Royal Hungarian Court. He studied architecture at the Viennese Polytechnic Institute and the Royal School of Architecture in Berlin. After completing his education, he returned to Vienna to work. In 1864, he started designing his first buildings in the historicist style. In the mid- and late-1880s, like many of his contemporaries in Germany (such as Constantin Lipsius, Richard Streiter and Georg Heuser), Switzerland (Hans Auer and Alfred Friedrich Bluntschli) and France (Paul Sédille), Wagner became a proponent of Architectural Realism. It was a theoretical position that enabled him to mitigate the reliance on historical forms. In 1894, when he became Professor of Architecture at the Academy of Fine Arts Vienna, he was well advanced on his path toward a more radical opposition to the prevailing currents of historicist architecture.
By the mid-1890s, he had already designed several Jugendstil buildings. Wagner was very interested in urban planning — in 1890 he designed a new city plan for Vienna, but only his urban rail network, the Stadtbahn, was built. In 1896 he published a textbook entitled Modern Architecture in which he expressed his ideas about the role of the architect; it was based on the text of his 1894 inaugural lecture to the Academy. His style incorporated the use of new materials and new forms to reflect the fact that society itself was changing. In his textbook, he stated that "new human tasks and views called for a change or reconstitution of existing forms". In pursuit of this ideal, he designed and built structures that reflected their intended function, such as the austere Neustiftgasse apartment block in Vienna.