Summerteeth | ||||
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Studio album by Wilco | ||||
Released | March 9, 1999 | |||
Recorded | August 1997 – November 1998 at Pedernales Recording Studio, Spicewood, Texas | |||
Genre | Alternative rock, psychedelic rock, experimental rock | |||
Length | 60:04 | |||
Label | Reprise | |||
Producer | Wilco | |||
Wilco chronology | ||||
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Singles from Summerteeth | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
AllMusic | |
The Austin Chronicle | |
Entertainment Weekly | A |
The List | |
Pitchfork Media | 9.4/10 |
Q | |
Rolling Stone | |
The Rolling Stone Album Guide | |
Select | 4/5 |
Spin | 7/10 |
Summerteeth is the third studio album by the Chicago alternative rock band Wilco. Released through Reprise Records on March 9, 1999, the album was heavily influenced lyrically by twentieth century literature, as well as singer Jeff Tweedy's marital problems. Unlike previous albums, Summerteeth was heavily overdubbed in the studio with Pro Tools. Tweedy and Jay Bennett wrote most of the album in the studio, a contrast to the band's previous albums, which were often recorded live by the entire band with minimal overdubs.
The album was met with critical acclaim from numerous outlets, including AllMusic, Chicago Tribune and The Village Voice. Summerteeth sold approximately 200,000 copies — a modest number compared to the sales of their 1996 album Being There. Wilco agreed to remix "Can't Stand It" with David Kahne to cater to radio markets, but the single failed to attract substantial airplay.
Wilco released Being There in 1996 to a higher level of commercial success than its first album, A.M., selling 300,000 copies (nearly double the number of its first record). After the promotional tour to support Being There, Wilco began to record tracks for a third album. The initial Summerteeth recording sessions were in November 1997 at Willie Nelson's music studio in Spicewood, Texas. Lead singer Jeff Tweedy was particularly emotional during the sessions because he was upset that he was unable to spend time with his wife and son because of the constant touring schedule. As a result, the songs recorded then reflected an introspective view that was also influenced by literature that Tweedy was reading at the time. While touring, Tweedy would read books by Henry Miller, William H. Gass and John Fante. According to Tweedy: