Southern hip-hop

Southern hip hop
Stylistic origins	Hip hop music electro Miami bass hardcore hip hop
Cultural origins	1980s 1990s Houston Atlanta New Orleans Memphis Miami
Typical instruments	Synthesizer drum machine (Roland TR-808) turntables rapping sequencer sampler
Derivative forms	Crunk trap bounce
Subgenres
Bounce snap music Atlanta hip hop chopped and screwed trap Bass music (complete list)
Regional scenes
Tulsa metropolitan area Oklahoma City metropolitan area Dallas–Fort Worth metropolitan area Austin metropolitan area San Antonio metropolitan area Houston metropolitan area Texas Megalopolis Lexington metropolitan area Louisville metropolitan area Corpus Christi Metropolitan Area Beaumont–Port Arthur metropolitan area Baton Rouge metropolitan area New Orleans metropolitan area Gulf Coast Megalopolis metropolitan area Miami metropolitan area Orlando metropolitan area Jacksonville metropolitan area Florida Megalopolis Little Rock metropolitan area Memphis rap Nashville metropolitan area Jackson metropolitan area Birmingham metropolitan area Atlanta metropolitan area Greenville-Spartanburg metropolitan area Columbia metropolitan area Charlotte metropolitan area Greensboro metropolitan area Raleigh metropolitan area Southeast Megalopolis
Local scenes
Tulsa Oklahoma City Dallas Fort Worth Waco Austin San Antonio Houston Corpus Christi Texas Megalopolis Beaumont Port Arthur Baton Rouge New Orleans Mobile Gulf Coast Megalopolis Tallahassee Tampa St. Petersburg Miami Fort Lauderdale Orlando Jacksonville Florida Megalopolis Little Rock Memphis Nashville Richmond Covington Newport Jackson Birmingham Atlanta Greenville Spartanburg Columbia Charlotte Winston-Salem High Point Greensboro Durham Raleigh Fayetteville Southeast Megalopolis

Southern hip hop, also known as Southern rap, South Coast hip hop, or Dirty South, is a blanket term for a subgenre of American hip hop music that emerged in the Southern United States, especially in Atlanta, New Orleans, Houston, Memphis, and Miami.

The music was a reaction to the 1980s flow of hip hop culture from New York City and the Los Angeles area, and can be considered a third major American hip hop genre, after East Coast hip hop and West Coast hip hop. Many early Southern rap artists released their music independently or on mixtapes after encountering difficulty securing record-label contracts in the 1990s. By the early 2000s, many Southern artists had attained national success, and as the decade went on, both mainstream and underground varieties of Southern hip-hop became among the most popular and influential of the entire genre.

Throughout the 1980s and 1990s, the American hip hop music market was primarily dominated by artists from the East Coast and West Coast. Los Angeles and New York City were the two main cities where hip hop was receiving widespread attention. In the 1980s, cities throughout the Southern United States began to catch on to the hip hop music movement. The Geto Boys, a hip hop group from Houston, were among the first hip hop artists from the Southern United States to gain widespread popularity. Southern hip hop's roots can be traced to the success of Geto Boys' Grip It! On That Other Level in 1989, the Rick Rubin produced The Geto Boys in 1990, and We Can't Be Stopped in 1991. After the Geto Boys rose to stardom, Houston became the center for Southern hip hop. Miami also played a major role in the rise of Southern Hip-hop during this time frame with successful acts like 2 Live Crew and other artists who relied heavily on the Miami bass sound. In the late 1980s, other rising rap groups such as UGK from Port Arthur, Texas, and 8Ball & MJG from Memphis, moved to Houston to further their musical careers.

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