Petros Markaris

Petros Márkaris (Greek: Πέτρος Μάρκαρης; born 1 January 1937 in Istanbul) is a Greek writer of detective novels starring the grumpy Athenian police investigator Costas Haritos.

The son of an Armenian entrepreneur and a Greek mother, he was born as Bedros Markarian in Istanbul. He attended the St. George's Austrian High School in Istanbul and studied economics after his Abitur for some years in Vienna and in Stuttgart. The family moved to Athens in 1954, but Markaris did not settle permanently there until 1964. That year over 15,000 Greeks (Greek passport holders) were expelled from Istanbul and their properties were confiscated, a major blow for the city's millenarian Greek community. Because of his father, he belonged to the Armenian minority for many years and did not have any citizenship; he became a Greek citizen shortly after 1974, together with the rest of the Armenian minority in Greece. Markaris speaks and writes in Greek, Turkish and German. Today he lives in Athens.

Markaris wrote several plays and cooperated with Theo Angelopoulos on a number of film scripts. He translated several German dramas into Greek such as Goethe's Faust I and Faust II, as well as Brecht's Mother Courage.

The Costas Haritos series of books (seven novels and one collection of short stories, as of 2012) are very popular in several European countries such as Greece, Germany, Italy and Spain. Their main hero and first person narrator is a detective in the Athenian criminal police in his fifties, with a squabbling, fairly uneducated, and TV-addicted, but dearly loved wife, an aspiring, but stubborn, law student daughter, and an unpleasant, brown-nosing boss. It is hinted several times that Haritos assisted with the torture of leftist prisoners as a very young man under the Colonels' regime, a fact he is quite ashamed of now, and which makes him insecure whenever he has to deal with political leftists of all shades (obviously a fairly common species in Greece even today). Being somewhat old-fashioned (and not always too consistent) in his personal views, he deplores the loss of Greek traditions (but still has French croissants for breakfast rather than sesame rings), dislikes the masses of foreigners entering Greece (which does not stop him from befriending and highly respecting individual foreigners) and despises corruption (but gives large "tips" to his physician). His subjective self-deprecating comments contrast well with the objective high work-ethic and even heroism he displays. The modern Athens of rampant air pollution, ugly concrete buildings, constant traffic jams, and hordes of annoying tourists, is the backdrop of the first four novels (the fifth is set in Istanbul).

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