Oriental hip hop
| Music of Turkey | |
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| Ethnic music | |
| Turkish marches | |
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| Nationalistic and patriotic songs | |
| National anthem | Independence March |
| Regional music | |
Turkish hip hop refers to hip hop music produced by members of the Turkish minority in Germany, and to a lesser degree by hip hop artists in Turkey. The Turkish minority, called the Turks, first drew inspiration from the discrimination and racism they received while living as migrant workers in Germany beginning in the 1960s. Turkish hip hop uses Arabesk music, a folk style that finds its roots in Turkey during the 1960s, and is influenced by the hip hop music of America and Germany. Album artwork, lyrical content, and the Turkish language are used by hip hop artists to express their uniquely Turkish identity.
The first Turkish hip hop album was recorded by the Nuremberg, Germany group King Size Terror in 1991. Islamic Force (now known as KanAK) is often recognized as the beginning of Turkish hip hop. Turkish hip hop is still used as an outlet for many who feel marginalized as Turks living in German society.
Before Turkish hip hop took hold in Turkey, specifically Istanbul and Ankara, it originally grew out of Turkish ethnic enclaves in Germany. Owing its large population to the Turkish migrants that came to Germany in the 1960s as Gastarbeiter (guest-workers), 2/3 of all Turks in Germany are under the age of 35 and half are under 25. Exclusionary practices on behalf of the government, particularly in terms of citizenship status, create systematic discrimination of Turks in Germany that fuels racism against migrant workers. Although born in Germany, the children of these Gastarbeiters are not recognized as citizens by Germany or their parents' country of origin. Often living in dilapidated neighborhoods and marked as outsiders by their "eastern" traditions and poor command of the German language, Turkish urban youth gravitate towards hip hop as means of expressive identity construction. From the first rap vinyl recorded in the Turkish language—‘Bir Yabancının Hayatı’ (The Life of a Foreigner) by King Size Terror—to the creation of an entire subgenre—Oriental hip hop—Turkish youth in Germany have embraced and moved beyond pure imitation of African American hip-hop culture. Localizing hip hop, Turks in Germany have reworked it to “act as a mode of expression for a range of local issues” particularly those related racism and the problem of national identity experienced by younger members of ethnic minority groups.
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Wikipedia