Music of Turkey | |
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Turkish marches | |
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National anthem | Independence March |
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Turkish pop music had its humble beginnings in the late 1950s with Turkish cover versions of a wide range of imported popular styles, including rock and roll, tango, and jazz. This wide collection of songs were labelled as "Hafif-batı" (light western) music and included a wide range of artists, such as Frank Sinatra to Doris Day, Nat King Cole to the Everly Brothers, from Elvis Presley to Paul Anka.
Turkish artists began to produce English language cover versions of these songs and write their own too, and the first original song of this type is credited to Erol Büyükburç in 1958 for his song "Little Lucy", which was released as a 10-inch single known as a taş plak.
With the emergence of 7-inch (45 rpm) single records in Turkey soon after, listening and distribution of this type of media was easier and thus the sound became more popular.
Büyükburç felt that the popularity of this trend would be limited until the Western song lyrics were translated into Turkish, and suggested to composer Fecri Ebcioğlu that he pen some Turkish lyrics to an English tune. In 1962, the first Western popular melody with Turkish lyrics was released, İlham Gencer's "Bak Bir Varmış Bir Yokmuş" (Look Once Upon A Time) and the foundation was set for the mergence of a new genre. The modern technique of musical arrangements was also attributed to this era, with Western songs arranged into more oriental sounding motifs for the Turkish ear.
The genre got its name in 1964 with the release of duo Tülay German and Erdem Buri's single "Yarının Şarkısı" (Tomorrow's Song). On the record's sleeve they coin the term "Turkish pop music", indicating that their product was indicative of things to come.
Musicologists document that the first original composition was released in 1967 by Paris trained Timur Selçuk, the son of famous classicist Münir Nurettin Selçuk, called "Ayrılanlar İçin" For Those Departed. The vehicle for Turkish pop was often film, and singers such as Gönül Yazar became icons of the time, though their films were rarely seen outside Turkey.