Armenian music

The music of Armenia has its origins in the Armenian Highlands, where people traditionally sang popular folk songs. Armenia has a long musical tradition, that was primarily collected and developed by Komitas, a prominent priest and musicologist, in the late nineteenth and early twentieth centuries. Armenian music has been presented internationally by composers Aram Khachaturian, Arno Babadjanian, duduk player Djivan Gasparyan, composer Ara Gevorgyan, producer DerHova, singers Sirusho, Eva Rivas and many others.

Traditional Armenian folk music as well as Armenian church music is not based on the European tonal system but on a system of Tetrachords. The last note of one tetrachord also serves as the first note of the next tetrachord – which makes a lot of Armenian folk music more or less based on a theoretically endless scale.

Armenians have had a long tradition of folk music from the antiquity. Under Soviet domination, Armenian folk music was taught in state-sponsored conservatoires. Instruments played include qamancha (similar to violin), kanun (dulcimer), dhol (double-headed hand drum, see davul), oud (lute), duduk, zurna, blul (ney), shvi and to a lesser degree saz. Other instruments are often used such as violin and clarinet. The duduk is Armenia's national instrument, and among its well-known performers are Margar Margarian, Levon Madoyan, Saro Danielian, Vatche Hovsepian, Gevorg Dabaghyan and Yeghish Manoukian, as well as Armenia's most famous duduk player, Djivan Gasparyan.

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