Lilitu

Lilith (Hebrew: לִילִית‎‎ Lîlîṯ) is a figure in Jewish mythology, developed earliest in the Babylonian Talmud (3rd to 5th centuries CE). The character is generally thought to derive in part from a historically far earlier class of female demons (lilītu) in Mesopotamian religion, found in cuneiform texts of Sumer, Akkad, Assyria, and Babylonia.

Evidence in later Jewish materials is plentiful, but little information has survived relating to the original Sumerian, Akkadian, Assyrian and Babylonian view of these demons. While the connection is almost universally agreed upon, recent scholarship has disputed the relevance of two sources previously used to connect the Jewish lilith to an Akkadian lilītu—the Gilgamesh appendix and the Arslan Tash amulets. (See below for discussion of the two problematic sources.)

In Hebrew-language texts, the term lilith or lilit (translated as "night creatures", "night monster", "night hag", or "screech owl") first occurs in a list of animals in Isaiah 34:14, either in singular or plural form according to variations in the earliest manuscripts. In the Dead Sea Scrolls' Songs of the Sage the term first occurs in a list of monsters. In Jewish magical inscriptions on bowls and amulets from the 6th century CE onwards, Lilith is identified as a female demon and the first visual depictions appear.

In Jewish folklore, from the satirical book Alphabet of Ben Sira (ca 700–1000 CE) onwards, Lilith appears as Adam's first wife, who was created at the same time (Rosh Hashanah) and from the same dirt as Adam – compare Genesis 1:27. (This contrasts with Eve, who was created from one of Adam's ribs: Genesis 2:22) The legend developed extensively during the Middle Ages, in the tradition of Aggadic midrashim, the Zohar, and Jewish mysticism. For example, in the 13th-century writings of Rabbi Isaac ben Jacob ha-Cohen, Lilith left Adam after she refused to become subservient to him and then would not return to the Garden of Eden after she had coupled with the archangel Samael. The resulting Lilith legend continues to serve as source material in modern Western culture, literature, occultism, fantasy, and horror.

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