La Ciénaga | |
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Theatrical release poster
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Directed by | Lucrecia Martel |
Produced by | Lita Stantic |
Written by | Lucrecia Martel |
Starring |
Graciela Borges Mercedes Morán Martín Adjemián Daniel Valenzuela |
Cinematography | Hugo Colace |
Edited by | Santiago Ricci |
Distributed by |
Production: Lita Stantic Producciones Distribution: Cowboy Pictures Cinema Tropical |
Release date
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Running time
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103 minutes |
Country |
Argentina Spain France |
Language | Spanish |
La Ciénaga (English: The Swamp) is a 2001 Argentine, Spanish, and French film, written and directed by Lucrecia Martel. The film was executive produced by Ana Aizenberg, Diego Guebel, Mario Pergolini, and produced by Lita Stantic. The picture features Graciela Borges, Mercedes Morán, Martín Adjemián, Daniel Valenzuela, among others.
The picture is set in the high plains of northwestern Argentina and portrays the life of a self-pitying Argentine bourgeois family.
The film tells the story of Mecha (Graciela Borges), a middle-aged woman in her 50s who has several teenagers. Her husband Gregorio (Martín Adjemián) wants to remain looking young, and both of them have to deal with their gloomy Amerindian servants, whom Mecha accuses of theft and laziness. Both Mecha and Gregorio take to drinking to cope with day-to-day living.
In order to avoid the hot and humid weather of the city, the family spends their summers in their rural shabby country home that they have named "La Mandragora".
Mecha's cousin, Tali (Mercedes Morán), lives in the nearby city of La Ciénaga (The Swamp, in English) and has a brood of small, noisy children and a husband, Rafael (Daniel Valenzuela), who loves his family and also hunts.
Before long, the crowded domestic situation in both homes strains the families' nerves, exposing repressed family mysteries, and tensions that threaten to erupt into violence.
Director Lucrecia Martel has said in media interviews that the story is based on "memories of her own family." She has also said, "I know what kind of film I've made. Not a very easy one! For me, it's not a realistic film. It's something strange, a little weird. It's the kind of film where you can't tell what's going to happen, and I wanted the audience to be very uncomfortable from the beginning."