Elmer Bernstein | |
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Bernstein guest conducting the U.S. Air Force Band in 1981
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Background information | |
Born |
New York City, New York, U.S. |
April 4, 1922
Died | August 18, 2004 Ojai, California, U.S. |
(aged 82)
Genres | Film scores |
Occupation(s) | Composer, conductor, songwriter |
Instruments | Keyboards |
Years active | 1951–2002 |
Elmer Bernstein (April 4, 1922 – August 18, 2004) was an American composer and conductor who is best known for his many film scores. In a career which spanned fifty years, he composed music for hundreds of film and television productions. His most popular works include the scores to The Magnificent Seven, The Ten Commandments, The Great Escape, To Kill a Mockingbird, Ghostbusters, The Black Cauldron, Airplane!, The Rookies, Cape Fear, and Animal House.
Bernstein won an Oscar for his score to Thoroughly Modern Millie (1967) and was nominated for fourteen Oscars in total. He also won two Golden Globes, an Emmy, and was nominated for two Grammy Awards.
Bernstein was born in New York City, the son of Selma (née Feinstein, 1901-1991), from Ukraine, and Edward Bernstein (1896-1968), from Austria-Hungary. He was not related to the celebrated composer and conductor Leonard Bernstein; but the two men were friends, and even shared a certain physical similarity. Within the world of professional music, they were distinguished from each other by the use of the nicknames Bernstein West (Elmer) and Bernstein East (Leonard). They pronounced their last names differently; Elmer pronounced his (BERN-steen), and Leonard's was (BERN-stine).
During his childhood, Bernstein performed professionally as a dancer and an actor, in the latter case playing the part of Caliban in The Tempest on Broadway, and he also won several prizes for his painting. He attended Manhattan's progressive Walden School and gravitated toward music at the age of twelve, at which time he was given a scholarship in piano by Henriette Michelson, a Juilliard teacher who guided him throughout his entire career as a pianist. She took him to play some of his improvisations for composer Aaron Copland, who was encouraging and selected Israel Citkowitz as a teacher for the young boy. Bernstein's music has some stylistic similarities to Copland's music, most notably in his western scores, particularly sections of Big Jake, in the Gregory Peck film Amazing Grace and Chuck, and in his spirited score for the 1958 film adaptation of Erskine Caldwell's novel God's Little Acre.