Electric blues
| Electric blues | |
|---|---|
| Stylistic origins | Blues |
| Cultural origins | Late 1930s United States |
| Typical instruments | |
| Derivative forms | |
| Regional scenes | |
Electric blues refers to any type of blues music distinguished by the use of electric amplification for musical instruments. The guitar was the first instrument to be popularly amplified and used by early pioneers T-Bone Walker in the late 1930s and John Lee Hooker and Muddy Waters in the 1940s. Their styles developed into West Coast blues, Detroit blues, and post-World War II Chicago blues, which differed from earlier, predominantly acoustic-style blues. By the early 1950s, Little Walter was a featured soloist on blues harmonica or blues harp using a small hand-held microphone fed into a guitar amplifier. Although it took a little longer, the electric bass guitar gradually replaced the stand-up bass by the early 1960s. Electric organs and especially keyboards later became widely used in electric blues.
The blues, like jazz, probably began to be amplified in the late 1930s. The first star of the electric blues is generally recognized as being T-Bone Walker; born in Texas but moving to Los Angeles in the mid-1930s, he combined blues with elements of swing music and jazz in a long and prolific career. After World War II, amplified blues music became popular in American cities that had seen widespread African American migration, such as Chicago,Memphis,Detroit,St. Louis, and the West Coast. The initial impulse was to be heard above the noise of lively rent parties. Playing in small venues, electric blues bands tended to remain modest in size compared with larger jazz bands. In its early stages electric blues typically used amplified electric guitars, double bass (which was progressively replaced by bass guitar), and harmonica played through a microphone and a PA system or a guitar amplifier.
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