British blues
| British blues | |
|---|---|
| Stylistic origins | |
| Cultural origins | Mid-twentieth-century United Kingdom |
| Typical instruments | |
| Derivative forms |
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| Fusion genres | |
British blues is a form of music derived from American blues that originated in the late 1950s and which reached its height of mainstream popularity in the 1960s, when it developed a distinctive and influential style dominated by electric guitar and made international stars of several proponents of the genre including The Rolling Stones, Eric Clapton, Fleetwood Mac and Led Zeppelin.
American blues became known in Britain from the 1930s onwards through a number of routes, including records brought to Britain, particularly by African-American GIs stationed there in the Second World War and Cold War, merchant seamen visiting ports such as London, Liverpool, Newcastle upon Tyne and Belfast, and through a trickle of (illegal) imports. Blues music was relatively well known to British jazz musicians and fans, particularly in the works of figures like female singers Ma Rainey and Bessie Smith and the blues-influenced boogie-woogie of Jelly Roll Morton and Fats Waller. From 1955 major British record labels HMV and EMI, the latter, particularly through their subsidiary Decca Records, began to distribute American jazz and increasingly blues records to what was an emerging market. Many encountered blues for the first time through the skiffle craze of the second half of the 1950s, particularly the songs of Lead Belly covered by acts like Lonnie Donegan. As skiffle began to decline in the late 1950s, and British rock and roll began to dominate the charts, a number of skiffle musicians moved towards playing purely blues music.
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