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Boys for Pele

Boys for Pele
ToriAmosBoysforPelealbumcover.jpg
Studio album by Tori Amos
Released January 22, 1996
Recorded Ireland & Louisiana, June - October 1995
Genre
Length 70:09
Label Atlantic (US), East West (Europe)
Producer Tori Amos
Tori Amos chronology
Under the Pink
(1994)
Boys for Pele
(1996)
From the Choirgirl Hotel
(1998)
Singles from Boys for Pele
  1. "Caught a Lite Sneeze"
    Released: January 2, 1996
  2. "Talula"
    Released: March 11, 1996 (UK)
  3. "Professional Widow"
    Released: July 2, 1996 (US)
  4. "Hey Jupiter"
    Released: July 20, 1996 (UK)
  5. "In The Springtime of His Voodoo"
    Released: September 24, 1996
Professional ratings
Review scores
Source Rating
AllMusic 4.5/5 stars
Encyclopedia of Popular Music 4/5 stars
Entertainment Weekly C
The Guardian 2/5 stars
Los Angeles Times 2/4 stars
Q 4/5 stars
Record Collector 5/5 stars
Rolling Stone 2/5 stars
The Rolling Stone Album Guide 2.5/5 stars
Spin 9/10

Boys for Pele is the third studio album by American singer and songwriter Tori Amos. Preceded by the first single, "Caught a Lite Sneeze", by three weeks, the album was released on January 22, 1996, in the United Kingdom, on January 23 in the United States, and on January 29 in Australia. Despite the album being Amos's least accessible radio material to date,Boys for Pele debuted at #2 on both the US Billboard 200 and the UK Albums Chart, making it her biggest simultaneous transatlantic debut, her first Billboard top 10 debut, and the highest-charting US debut of her career to date.

Boys for Pele was recorded in rural Ireland and Louisiana and features 18 songs that incorporate harpsichord, clavichord, harmonium, gospel choirs, brass bands and full orchestras. Amos wrote all of the tracks, and for the first time, she served as sole producer for her own album. For Amos, the album was a step into a different direction, in terms of singing, songwriting, and recording, and is experimental in comparison to her previous work.

During the recording of her previous album, Under the Pink (1994), Amos's longtime professional and romantic relationship with Eric Rosse, who co-produced a considerable amount of her pre-Pele work, disintegrated. That loss, combined with a few subsequent encounters with men during the Under the Pink promotional tour, forced Amos to re-evaluate her relationship with men and masculinity. Amos explained, "In my relationships with men, I was always musician enough, but not woman enough, I always met men in my life as a musician, and there would be magic, adoration. But then it would wear off. All of us want to be adored, even for five minutes a day, and nothing these men gave me was ever enough."


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Wikipedia

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