Bernarda Alba

The House of Bernarda Alba
Written by	Federico García Lorca
Characters	Bernarda Alba (60) María Josefa (80s) Angustias (39) Magdalena (30) Amelia (27) Martirio (24) Adela (20) Maid (50) Poncia (60) Criada (50) Prudencia (50) Beggar woman Little girl Women mourners First woman Second woman Third woman Fourth woman Girl
Date premiered	8 March 1945
Place premiered	Avenida Theatre Buenos Aires, Argentina
Original language	Spanish
Genre	Drama

The House of Bernarda Alba (Spanish: La casa de Bernarda Alba) is a play by the Spanish dramatist Federico García Lorca. Commentators have often grouped it with Blood Wedding and Yerma as a "rural trilogy". Lorca did not include it in his plan for a "trilogy of the Spanish land" (which remained unfinished at the time of his murder).

Lorca described the play in its subtitle as a drama of women in the villages of Spain. The House of Bernarda Alba was Lorca's last play, completed on 19 June 1936, two months before Lorca's death during the Spanish Civil War. The play was first performed on 8 March 1945 at the Avenida Theatre in Buenos Aires. The play centers on the events of a house in Andalusia during a period of mourning, in which Bernarda Alba (aged 60) wields total control over her five daughters Angustias (39 years old), Magdalena (30), Amelia (27), Martirio, (24), and Adela (20). The housekeeper (La Poncia) and Bernarda's elderly mother (María Josefa) also live there.

The deliberate exclusion of any male character from the action helps build up the high level of sexual tension that is present throughout the play. Pepe "el Romano", the love interest of Bernarda's daughters and suitor of Angustias, never appears on stage. The play explores themes of repression, passion, and conformity, and inspects the effects of men upon women.

Upon her second husband's death, domineering matriarch Bernarda Alba imposes an eight-year mourning period on her household in accordance with her family tradition. Bernarda has five daughters, aged between 20 and 39, whom she has controlled inexorably and prohibited from any form of relationship. The mourning period further isolates them and tension mounts within the household.

After a mourning ritual at the family home, eldest daughter Angustias enters, having been absent while the guests were there. Bernarda fumes, assuming she had been listening to the men's conversation on the patio. Angustias inherited a large sum of money from her father, Bernarda's first husband, but Bernarda's second husband has left only small sums to his four daughters. Angustias' wealth attracts a young, attractive suitor from the village, Pepe el Romano. Her sisters are jealous, believing that it's unfair that plain, sickly Angustias should receive both the majority of the inheritance and the freedom to marry and escape their suffocating home environment.

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