Barcelona Pavilion
| Barcelona Pavilion | |
|---|---|
|
|
 |
|
| Alternative names | German Pavilion |
| General information | |
| Type | Exhibition building |
| Architectural style | Modernism, Minimalism |
| Location | Barcelona, Catalonia, Spain |
| Coordinates | 41°22′14″N 2°09′00″E / 41.37056°N 2.15000°ECoordinates: 41°22′14″N 2°09′00″E / 41.37056°N 2.15000°E |
| Construction started | 1928 |
| Completed | 1929 |
| Inaugurated | 27 May 1929 |
| Demolished | 1930 (rebuilt in 1986) |
| Client | Government of Germany |
| Technical details | |
| Structural system | steel frame with glass and polished stone |
| Design and construction | |
| Architect | Ludwig Mies van der Rohe |
| Website | |
| www |
|
The Barcelona Pavilion (Catalan: Pavelló alemany; Spanish: Pabellón alemán; "German Pavilion"), designed by Ludwig Mies van der Rohe, was the German Pavilion for the 1929 International Exposition in Barcelona, Spain. This building was used for the official opening of the German section of the exhibition. It is an important building in the history of modern architecture, known for its simple form and its spectacular use of extravagant materials, such as marble, red onyx and travertine. The same features of minimalism and spectacular can be applied to the prestigious furniture specifically designed for the building, among which the iconic Barcelona chair. It has inspired many important modernist buildings, including Michael Manser's Capel Manor House in Kent.
Mies was offered the commission of this building in 1928 after his successful administration of the 1927 Werkbund exhibition in Stuttgart. The German Republic entrusted Mies with the artistic management and erection of not only the Barcelona Pavilion, but for the buildings for all the German sections at the 1929 International Exhibition. However, Mies had severe time constraints—he had to design the Barcelona Pavilion in less than a year—and was also dealing with uncertain economic conditions.
In the years following World War I, Germany started to turn around. The economy started to recover after the 1924 Dawes Plan. The pavilion for the International Exhibition was supposed to represent the new Weimar Germany: democratic, culturally progressive, prospering, and thoroughly pacifist; a self-portrait through architecture. The Commissioner, Georg von Schnitzler said it should give "voice to the spirit of a new era". This concept was carried out with the realization of the "Free plan" and the "Floating roof".
...
Wikipedia