Banjo
A five-string banjo
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| String instrument | |
|---|---|
| Hornbostel–Sachs classification | 321.322-5 (Composite chordophone sounded by plectrum, finger picks, or the bare fingers) |
| Developed | 18th century |
| Playing range | |
The banjo is a four-, five- or six-stringed instrument with a thin membrane stretched over a frame or cavity as a resonator, called the head. The membrane, or head, is typically made of plastic, although animal skin is still occasionally but rarely used, and the frame is typically circular. Early forms of the instrument were fashioned by Africans in America, adapted from African instruments of similar design.
The banjo is frequently associated with country, folk, Irish traditional and bluegrass music. Historically, the banjo occupied a central place in African American traditional music, before becoming popular in the minstrel shows of the 19th century. The banjo, with the fiddle, is a mainstay of American old-time music. It is also very frequently used in Traditional ("Trad") Jazz.
There are several theories concerning the origin of the name banjo. It could have come from the Yoruba word Bami jo, which means "dance for me." It may derive from the Kimbundu word mbanza. Some etymologists believe it comes from a dialectal pronunciation of the Portuguese "bandore" or from an early anglicisation of the Spanish word bandurria, though other research suggests that it may come from a West African term for a bamboo stick formerly used for the instrument's neck.
A Banza: a five double string courses Portuguese viuhela with two short strings. Mbanza is a string African instrument that has been built after the Portuguese Banza. "Banza" is quite similar to "Banjo".
Various instruments in Africa, chief among them the kora, feature a skin head and gourd (or similar shell) body. The African instruments differ from early African American banjos in that the necks do not possess a Western-style fingerboard and tuning pegs, instead having stick necks, with strings attached to the neck with loops for tuning. Banjos with fingerboards and tuning pegs are known from the Caribbean as early as the 17th century. 18th- and early 19th-century writers transcribed the name of these instruments variously as bangie, banza, bonjaw,banjer and banjar. Instruments similar to the banjo (e.g., the Japanese shamisen, Persian tar, and Moroccan sintir) have been played in many countries. Another likely banjo ancestor is the akonting, a spike folk lute played by the Jola tribe of Senegambia, and the ubaw-akwala of the Igbo. Similar instruments include the xalam of Senegal and the ngoni of the Wassoulou region including parts of Mali, Guinea, and Ivory Coast, as well as a larger variation of the ngoni developed in Morocco by sub-Saharan Africans known as the gimbri.
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