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AK Comics


AK Comics is an Egyptian-based superhero comic publishing company, and the first large scale production of the genre in the Middle East. The company was founded by Ayman Kandeel, (hence the initials); Dærick Gröss, Sr. is the editor-in-chief; Waleed Al-Telbany is the art director; Mohie El-Dein Sideiq is the Arabic-language editor and Sara Kareem is the English-language editor.

AK Comics first began publishing monthly titles in 2004, and its comics are produced in both Arabic and English. The comics are collectively titled Middle East Heroes.

As explained in the first inside page of various issues, the intention of AK Comics is "to fill the cultural gap created over the years by providing essentially Arab role models, in our case, Arab superheroes, to become a source of pride to our young generations."

There are four superheroes:

Apart from Rakan, who inhabits a sort of sword and sorcery world, all the superheroes live in the near future, in the immediate aftermath of the "55-Year War" between unnamed superpowers, when terrorists and criminals constantly threaten to destroy the fragile peace.

Although the protagonists are clearly Middle Eastern, for the sake of neutrality there is no direct reference to the religion or ethnicity of the characters. As explained in one issue: "The religious backgrounds of the heroes remain undisclosed so that no religion or faith can be perceived as better than another."

AK Comics started an initial United States venture in 2004 and found the market crowded.

AK Comics sells mainly in Egypt and is beginning to be distributed in other Middle Eastern states, as well as having overseas subscriptions (particularly in the United States). As of September 2005 the comics sell 15,000 copies an issue, and are beginning to break even. Censorship and a lack of local artists are issues for the company; besides had the initial storylines started by 'Studio G Pub' studio, most of the artwork is produced in Brazil by 'PopArt Comics Studio','Daniel Brandão Studio' and 'Legio Studio'. Among some subtle differences on displaying the characters in the middle-east ambient are the sensitive reduction of female features, like the size of breasts and skimpy outfits used by them. Nashar said that in certain cases local censors went through each page blackening out breasts with markers, and only the titles featuring the male characters are currently distributed in Saudi Arabia.


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