Zihan Loo
| Zihan Loo (罗子涵) | |
|---|---|
| Born |
11 November 1983 Singapore |
| Alma mater | School of the Art Institute of Chicago |
| Occupation | Actor, film director and dancer |
| Years active | 2007–present |
| Website | www |
Zihan Loo (simplified Chinese: 罗子涵; traditional Chinese: 羅子涵; pinyin: Luō Zi Hán; born 11 November 1983) is a gay Singaporean actor, film director, artist and dancer. He was a part-time teacher at School of the Arts, Singapore.
He has been open about both his own homosexuality and depicting gay themes in his films, despite the subject being particularly in Southeast Asian society. His first film, Solos, was withdrawn from its début screening at the 20th Singapore International Film Festival due to its explicit depiction of homosexual sex. Instead it premièred at the 12th Pusan International Film Festival in the city of Pusan in South Korea and became the first Singaporean film to be selected for the American Film Institute Festival in Los Angeles, going on to win the Nuovo Sguardi Award in the 23rd Turin Gay and Lesbian Festival, in the city of Turin in Italy. It was awarded by the jury to the film which "reflects the evolution of queer cinema". In his 2007 film, Pleasure Factory, Zihan himself appears in a scene featuring his own full-frontal nudity.
In February 2012, as part of the M1 Singapore Fringe Festival, Loo staged a one-night only performance of Cane, which re-enacted a performance art piece by Singaporean artist Josef Ng that resulted in a 10-year no-funding rule for performance art. In December 2012, Loo organised his first solo exhibition Archiving Cane at The Substation, which consisted of an installation of 12 artefacts to do with Cane and Loo's artistic practice, along with a durational performance.
From October to December 2013, Loo put on Artists' General Assembly – The Langenbach Archive, a durational performance-cum-installation as part of Ghost: The Body At The Turn Of The Century group exhibition, a parallel event of the Singapore Biennale. The installation archived a selection of approximately 150 of Dr. Ray Langenbach's materials surrounding the Artists' General Assembly and its peripheral events.
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