Whores' Glory
| Whores’ Glory | |
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DVD cover
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| Directed by | Michael Glawogger |
| Produced by | Erich Lackner, Tommy Pridnig, Peter Wirthensohn |
| Written by | Michael Glawogger |
| Music by | John Zorn |
| Cinematography | Wolfgang Thaler |
| Edited by | Monika Willi |
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Release date
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2011 |
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Running time
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119 minutes |
| Country | Austria, Germany |
| Language | Thai, Bengali, Spanish |
Whores’ Glory is a 2011 documentary by Michael Glawogger. It shows the life of prostitutes from three different cultures: Thailand, Bangladesh and Mexico.
The film is divided into three locally defined episodes: Bangkok (Thailand), Faridpur (Bangladesh) and Reynosa (Mexico).
The first part deals with the everyday work of prostitutes in Bangkok, in a brothel called the Fish Tank. The prostitutes sit in a brightly lit glass room and are chosen by clients by the number used to identify them.
The second part is about a vast brothel called the City of Joy, in the town of Faridpur, Bangladesh. There, 600 to 800 women work in a confined space. In one scene, a madame buying a prostitute from another madame haggles over the price of the girl.
The third part takes place in the city of Reynosa, near the Texas border. There it is common, as in other Mexican cities, to designate the legal areas for prostitution as zonas de tolerancia (tolerance zones). The entrance to the Zona is secured with barriers and is constantly monitored by the police.
Critics and audiences responded more with respect for Glawogger’s self-described “cinematic triptych on prostitution” than outright praise.
On RottenTomatoes.com, the film was given an 89% ranking by critics, with an average rating of 7.5/10. Audiences enjoyed the film as well. 74% of viewers "liked the film", and earned an average audience rating of 3.8/5.
Andrew O’Hehir, writing for Salon, applauded “the film’s insistence that the women Glawogger meets...remain defiantly individual, even in the face of a system of sexual and economic exploitation they cannot (or at least do not) resist.” Similarly, Stephen Holden, of the New York Times, and Michael O'Sullivan, of the Washington Post, praised the film for the non-judgemental stance it takes towards the sex workers it encounters.
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Wikipedia