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Vihuela


The vihuela (Spanish pronunciation: [biˈwela]) is a guitar-shaped string instrument from 15th and 16th century Spain, Portugal and Italy, usually with five or six doubled strings.

The vihuela, as it was known in Spanish, was called the viola de mà in Catalan, viola da mano in Italian and viola de mão in Portuguese. The two names are functionally synonymous and interchangeable. In its most developed form, the vihuela was a guitar-shaped instrument with six double-strings (paired courses) made of gut. Vihuelas were tuned identically to their contemporary Renaissance lute; 4ths and mid-3rd (44344, almost like a modern guitar tuning, with the exception of the third string, which was tuned a semitone lower).

Plucked vihuelas, being essentially flat-backed lutes, evolved in the mid-15th century, in the Kingdom of Aragón, located in north-eastern Iberia (Spain). In Spain, Portugal, and Italy the vihuela was in common use by the late 15th through to the late 16th centuries. In the second half of the 15th century some vihuela players began using a bow, leading to the development of the viol.

There were several different types of vihuela (or different playing methods at least):

Tunings for 6 course vihuela de mano (44344):

The vihuela faded away, along with the complex polyphonic music that was its repertoire, in the late 16th century, along with the other primary instrument of the Spanish and Portuguese Renaissance, the cross-strung harp. The vihuela's descendants that are still played are the violas campaniças of Portugal. Much of the vihuela's place, role, and function was taken up by the subsequent Baroque guitar (also sometimes referred to as vihuela or bigüela). Today, the vihuela is in use primarily for the performance of early music, using modern replicas of historical instruments. Today, instruments like the tiple are descendants of vihuelas brought to America in the 16th century.


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