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The Spanish Earth

The Spanish Earth
Directed by Joris Ivens
Produced by Herman Shumlin
Written by
Narrated by
  • Orson Welles
    (English language version)
  • Ernest Hemingway
    (English language version)
  • Jean Renoir
    (French language version)
Music by Marc Blitzstein
Cinematography
Edited by Helen van Dongen
Distributed by Contemporary Historians Inc.
Release date
  • July 11, 1937 (1937-07-11)
Running time
52 minutes
Country United States
Language English
Spanish
German

The Spanish Earth is a 1937 propaganda film made during the Spanish Civil War in support of the democratically elected Republicans, whose forces included a wide range from the political left like communists, socialists, anarchists, to moderates like centrists, and liberalist elements. The film was directed by Joris Ivens, written by John Dos Passos and Ernest Hemingway, narrated by Orson Welles and re-recorded by Hemingway (with Jean Renoir doing the narration in the French release), with music composed by Marc Blitzstein and arranged by Virgil Thomson.

The film opens in the village of Fuentidueña de Tajo (called "Fuentedueña" in the movie), showing the villagers trying to scratch a living from the dry soil and explaining the importance of bringing water to irrigate the fields so more crops can be produced and embattled Madrid can be fed. A map shows the position of the village on the Madrid-Valencia road, which must be kept open at all costs so the capital can be defended. The scene moves to Madrid, with another map showing the front line running west of the city, with a rebel salient in the Ciudad Universitaria, which the loyalists are shown attacking.

The city is the village inverted; while the earth of Fuentedueña is simply upturned, the streets of Madrid look as if they have been maniacally plowed. The blood that stains the streets contrasts painfully with the water that courses through the soil. Ivens planned the documentary as a dialectic, alternating between village and city until the synthesis is reached. Thus rhythm changes with location; anonymous peasants are juxtaposed with historical figures like La Pasionaria and Manuel Azaña, president of the Republic.


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