The Outsiders | |
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Origin | Amsterdam, Netherlands |
Genres | Garage rock, psychedelic rock |
Years active | 1964–1969 |
Labels | Muziek Express Op-Art, Relax, Polydor, Pseudonym |
Past members |
Wally Tax Ronnie Splinter Appie Rammers Tom Krabbendam Leendert Busch Frank Beek |
The Outsiders were a Dutch band from Amsterdam. Their period of greatest popularity in the Netherlands was from 1965–67, but they released records until 1969. In recent years their legacy has extended beyond the Netherlands, and the group is today recognized as a distinctive exemplars of the garage rock genre.
Featuring Wally Tax (vocals), Ronnie Splinter (guitar), Appie Rammers (bass guitar), Tom Krabbendam (guitar), Leendert "Buzz" Busch (drums), and Frank Beek (bass guitar 1968-1969), the band exemplified the "Nederbeat Sound", a raw, Dutch take on rock 'n' roll created in the wake of the 1960s British Invasion. Unlike the many European bands influenced by The Beatles, The Outsiders took their cues from harder-edged British groups like The Pretty Things (who frequently toured the Netherlands) and The Rolling Stones. In November 1965, in 's-Hertogenbosch, The Outsiders opened for Stones' second Dutch concert. Other critics have cited influences for the Outsiders as wide-ranging as Buddy Holly, Jacques Brel, and Love (band), as well as Eastern European folk influence from Tax's Russian Romani ethnic roots. The Outsiders developed a reputation for a wild and raucous stage act, and were eventually banned from various venues.
The Outsiders released three full-length records, Outsiders and the singles collection Songbook in 1967, and C.Q. in 1968. The latter sold poorly upon release but is now considered a masterpiece of psychedelic garage rock. The band also released thirteen singles, including 1967's "Summer Is Here," which reached the Top Ten on the Dutch charts. Their eponymous debut album, which featured one side of studio recordings and another taken from their live show, also sold well during this period. Unusually for this era, the band never recorded any covers. While several Dutch pop groups of the era — namely Tee Set ("Ma Belle Amie"), Shocking Blue ("Venus"), and the George Baker Selection ("Little Green Bag") — all had hits in the United States on the Colossus label, resulting in what some music pundits jokingly called the "Dutch Invasion," the Outsiders were unable to join in on this success as their records were never released in the U.S.