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Taller de Gráfica Popular

Taller de Gráfica Popular, A.C.
Origin Mexico,  MEX
Members Roberto Lazos
Alfredo Mereles
Francisco Javier Calvo Sánchez (master printer)
Julián Castruita Morán
Hèctor Vargas
Past members Leopoldo Méndez
Luis Arenal
Pablo O'Higgins
José Chávez Morado
Alfredo Zalce
Ángel Bracho
Francisco Dosamantes
Everardo Ramírez
Alberto Beltrán
Francisco Mora
Jean Charlot
Raúl Anguiano
Fanny Rabel
Mariana Yampolsky
Xavier Guerrero
Leticia Ocharán
Jesús Álvarez Amaya
Arturo García Bustos
Andrea Gómez
Elizabeth Catlett
Adolfo Mexiac
Sarah Jiménez
Jesús Castruita
Reynaldo Olivares
Elena Huerta Muzquiz
Sergio Valadez Estrada

The Taller de Gráfica Popular (Spanish: "People's Graphic Workshop") is an artist's print collective founded in Mexico in 1937 by artists Leopoldo Méndez,Pablo O'Higgins, and Luis Arenal. The collective was primarily concerned with using art to advance revolutionary social causes. The print shop became a base of political activity and abundant artistic output, and attracted many foreign artists as collaborators.

The Workshop was founded in 1937 following the dissolution of the Liga de Escritores y Artistas Revolucionarios (LEAR, Revolutionary Writers’ and Artists’ League), a group of artists who had supported the goals of the Mexican Revolution.

Initially called the Taller Editorial de Gráfica Popular, its founders built of a rich tradition of printmaking in Mexico, particularly the legacy of José Guadalupe Posada and Manuel Manilla.

Under President Lázaro Cárdenas, the work of the Taller supported the government's policies, including the Mexican oil expropriation.

In 1940, muralist David Alfaro Siqueiros launched an armed assault on the residence of exiled Russian Revolutionary Leon Trotsky, using the Taller's print shop as a headquarters and including some artists affiliated with the Taller in his squad.

There was some collaboration between the TGP and the artists of the New Deal-era Works Progress Administration, including Rafael Tufiño.

During the Civil Rights Movement, Chicano and African American artists such as Elizabeth Catlett produced work at the Taller. The Taller became inspiration to many politically active leftist artists; for example, American expressionist painter Byron Randall went on to found similar artist collectives after becoming an associate member.


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