Staring contest

Staring is a prolonged gaze or fixed look. In staring, one object or person is the continual focus of visual interest, for an amount of time. Staring can be interpreted as being either hostile, or the result of intense concentration or affection. Staring behaviour can be considered a form of aggression, or an invasion of an individual's privacy. If eye contact is reciprocated, mutual staring can take the form of a battle of wills, or even a game where the loser is the person who looks away first – a staring contest.

To some extent, the meaning of a person’s staring behaviour depends upon the attributions made by the observer. Staring often occurs accidentally, when someone appears to be staring into space they may well be lost in thought, or stupefied, or simply unable to see.

Staring conceptually also implies confronting the inevitable – ‘staring death in the face’, or ‘staring into the abyss’. Group staring evokes and emphasises paranoia; such as the archetypal stranger walking into a saloon in a Western to be greeted by the stares of all the regulars. The fear of being stared at is called Scopophobia.

Children have to be socialised into learning acceptable staring behaviour. This is often difficult because children have different sensitivities to self-esteem. Staring is also sometimes used as a technique of flirting with an object of affection. However, being stared at, especially for a prolonged amount of time or very frequently by one person in particular, can cause discomfort to those subjected to it. Staring (at women) is a common form of social interaction amongst Argentinians.

Jean-Paul Sartre discusses "The look" in Being and Nothingness, in which the appearance of someone else creates a situation in which a person's subjectivity is transformed without their consent.

The act of staring implies a visual focus, where the subject of the gaze is objectified. This has been the subject of psychoanalytical studies on the nature of scopophilia, with a subsequent development in some aspects of feminist thought (see Gaze, film, photography and voyeurism). Paradoxically, the notion of staring also implicates the looker in constructing themselves as a subject. Sartre was interested in the individual experiencing shame only when they perceive that their shameful act is being witnessed by another. (see The look)

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