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Romance of the Three Kingdoms

Romance of the Three Kingdoms
Peach garden ceremony.jpg
An illustration from a Ming dynasty printed edition of the novel from 1591, collection of the Peking University.
Author Luo Guanzhong
Original title 三國演義
Country China
Language Chinese
Subject Ancient China
Genre History, war
Publication date
14th century
Media type Print
ISBN
LC Class PL2690.S3 E53 1995
Romance of the Three Kingdoms
Romance of the Three Kingdoms (Chinese characters).svg
"Romance of the Three Kingdoms" in Traditional (top) and Simplified (bottom) Chinese characters
Traditional Chinese 三國演義
Simplified Chinese 三国演义
Literal meaning "Three Kingdoms Historical Novel"

Romance of the Three Kingdoms, attributed to Luo Guanzhong, is a historical novel set in the turbulent years towards the end of the Han dynasty and the Three Kingdoms period in Chinese history, starting in 169 AD and ending with the reunification of the land in 280.

The story – part historical, part legend, and part mythical – romanticises and dramatises the lives of feudal lords and their retainers, who tried to replace the dwindling Han dynasty or restore it. While the novel follows hundreds of characters, the focus is mainly on the three power blocs that emerged from the remnants of the Han dynasty, and would eventually form the three states of Cao Wei, Shu Han, and Eastern Wu. The novel deals with the plots, personal and military battles, intrigues, and struggles of these states to achieve dominance for almost 100 years.

Romance of the Three Kingdoms is acclaimed as one of the Four Great Classical Novels of Chinese literature; it has a total of 800,000 words and nearly a thousand dramatic characters (mostly historical) in 120 chapters. The novel is among the most beloved works of literature in East Asia, and its literary influence in the region has been compared to that of the works of Shakespeare on English literature. It is arguably the most widely read historical novel in late imperial and modern China.

Myths from the Three Kingdoms era existed as oral traditions before written compilations. With their focus on the history of Han Chinese, the stories grew in popularity during the reign of the Mongol emperors of the Yuan dynasty. During the succeeding Ming dynasty an interest in plays and novels resulted in further expansions and retelling of the stories.


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