Pachanga

Pachanga
Stylistic origins	Son montuno, merengue
Cultural origins	Cuba, 1959
Typical instruments	Piano, bongos, conga, timbales, trumpet, cowbell, güiro, double bass

Music of Cuba
General topics
Related articles
Genres
Afro Afro-Cuban jazz Bolero (filin) Canción Chachachá Charanga Conga Contradanza (habanera) Criolla Cubatón Danzón Descarga Guajira Guaracha Hip hop Mambo Mozambique Nueva trova Pachanga Pilón Pregón Punto guajiro Rock Rumba (guaguancó, columbia, yambú, batá-rumba, guarapachangueo) Son (montuno) Songo Timba Trova
Specific forms
Religious music	Abakuá Arará Iyesá Makuta Palo Santería Yuka
Traditional music	Changüí Coros de clave Kiribá Nengón Tumba francesa
Media and performance
Music awards	Beny Moré Award
Nationalistic and patriotic songs
National anthem	La Bayamesa
Regional music
Anguilla Antigua and Barbuda Aruba and the Dutch Antilles Bahamas Barbados Bermuda Bonaire Cayman Islands Curaçao Dominica Dominican Republic Grenada Guadeloupe Guyana Haiti Jamaica Louisiana Martinique Montserrat Puerto Rico St Kitts and Nevis St Lucia St Vincent and Grenadines Suriname Trinidad and Tobago Turks and Caicos Virgin Islands

A Pachanga is a gathering of people to celebrate for any reason. A pachanga will always feature music along with beer, wine or distilled spirits. The term Pachanga, as a noun describing a party or fiesta, originated from the Mexican Culture in Texas.

Pachanga is a genre of music which is described as a mixture of son montuno and merengue. This type of music has a festive, lively style and is marked by jocular, mischievous lyrics. The name came about to describe the genre in Cuba in 1959. Pachanga is also a Cuban dance style.

Charanga a style of music in Cuba played with violin, flute and drums as danzón, danzonetes and chachachá, as well as the . In Cuba in 1955, Los Papines fused the violin-based music of charanga with the trumpet-based music of conjuntos Eduardo Davidson's La Pachanga, recorded in 1959 by Orquesta Sublime (which was in the USA). But, after Fidel Castro seized power in Cuba in 1959, the epicenter of Cuban music moved to other islands and USA.José Fajardo brought the song La Pachanga to New York but in the Cuban charanga genre. The confusion of the words arose because Johnny Pacheco called pachanga the dance that people dance to Fajardo's charanga orchestra.

Eduardo Davidson's tune, La Pachanga, with rights managed by Peer International (BMI), achieved international recognition in 1961 when it was licensed in three versions sung by Genie Pace on Capitol, by Audrey Arno in a German version on European Decca, and by Hugo and Luigi and their children's chorus. Billboard commented "A bright new dance craze from the Latins has resulted in these three good recordings, all with interesting and varying treatments."

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