Changüí

Music of Cuba
General topics
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Genres
Afro Afro-Cuban jazz Bolero (filin) Canción Chachachá Charanga Conga Contradanza (habanera) Criolla Cubatón Danzón Descarga Guajira Guaracha Hip hop Mambo Mozambique Nueva trova Pachanga Pilón Pregón Punto guajiro Rock Rumba (guaguancó, columbia, yambú, batá-rumba, guarapachangueo) Son (montuno) Songo Timba Trova
Specific forms
Religious music	Abakuá Arará Iyesá Makuta Palo Santería Yuka
Traditional music	Changüí Coros de clave Kiribá Nengón Tumba francesa
Media and performance
Music awards	Beny Moré Award
Nationalistic and patriotic songs
National anthem	La Bayamesa
Regional music
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Changüí is a style of Cuban music which originated in the early 19th century in the eastern region of Guantánamo Province, specifically Baracoa. It arose in the sugar cane refineries and in the rural communities populated by slaves. Changüí combines the structure and elements of Spain's canción and the Spanish guitar with African rhythms and percussion instruments of Bantu origin. Changüí is considered a predecessor of son montuno (the ancestor of modern salsa), which has enjoyed tremendous popularity in Cuba throughout the 20th century.

Changüí is related to the other regional genres of nengón and kiribá and is descended from nengón. Technically, the changüi ensemble consists of: marímbula, bongos, tres, güiro (or guayo) and one or more singers. Changüi does not use the Cuban key pattern (or guide pattern) known as clave. The tres typically plays offbeat guajeos (ostinatos), while the guayo plays on the beat.

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