Music of the Turks and Caicos Islands

Music of The Anglophone Caribbean
Genres
Calypso Chutney Dancehall Dub Junkanoo Ragga Rapso Reggae Ripsaw Rocksteady Scratch Ska Soca Spouge Steelpan
Regional music
Local forms	Anguilla Antigua and Barbuda Bahamas Barbados Bermuda British Caribbean Caymans Grenada Montserrat St. Vincent and the Grenadines St. Kitts and Nevis Turks and Caicos UK Virgin Islands US Virgin Islands Other Anglophone islands
Related areas	Aruba and the Dutch Antilles Cuba Dominica Dominican Republic Guadeloupe Guyana Haiti Jamaica Martinique Puerto Rico St Lucia Suriname Trinidad and Tobago

The music of Turks and Caicos Islands is best known for its ripsaw music. It is accompanied by an array of instruments, including maracas, triangles, box guitar, conga drums, goat and cowskin drums, accordion, concertina and, most prominently and uniquely, the carpenter saw.

The saw is scraped with a metal object, such as a screwdriver, to produce a unique sound; this is called ripping the saw [1]. The use of the saw (which is the origin of the term ripsaw) is of uncertain origin, but may be in imitation of the Dominican and Haitian guiro or traditional African instruments like the shekere and djembe.

A closely related style called rake and scrape is known in the Bahamas, closely associated with Cat Island, the home of many Turks and Caicos islanders who moved there looking for work in the 1920s, 1930s and 1940s. Many Bahamian musicians are from the islands, including The Cooling Waters, Sly Roker, Bradley Dean, Marvin Handfield, Perry Delancy, Leo Jones and Count Bernardino. Many of these expatriates have since returned to Turks and Caicos, bringing with them Bahamian junkanoo music [2].

Modern ripsaw pioneers include Tell and the Rakooneers and Lovey Forbes, who created a new style called combina in the early 1980s, using genres from across the Caribbean and the US as inspiration; these included jazz, calypso, soca and reggae [3].

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Wikipedia