Conga drums

The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas are traditionally used in Afro-Cuban genres such as conga and rumba, although they are now very common in some other forms of Latin music, including descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock.

Most modern congas have a staved wooden or fiberglass shell, and a screw-tensioned drumhead. They are usually played in sets of two to four with the fingers and palms of the hand. Typical congas stand approximately 75 centimetres (30 in) from the bottom of the shell to the head. The drums may be played while seated. Alternatively, the drums may be mounted on a rack or stand to permit the player to play while standing. While they originated in Cuba, their incorporation into the popular and folk music of other countries has resulted in diversification of terminology for the instruments and the players. In Cuba, congas are called tumbadoras.

Conga players are called congueros, while rumberos refers to those who dance following the path of the players. The term "conga" was popularized in the 1930s, when Latin music swept the United States. Cuban son and New York jazz fused together to create what was then termed mambo, but later became known as salsa. In that same period, the popularity of the Conga Line helped to spread this new term. Desi Arnaz also played a role in the popularization of conga drums. However, the drum he played (which everyone called a conga drum at the time) was similar to the type of drum known as bokú used in his hometown, Santiago de Cuba. The word conga came from the rhythm la conga used during carnaval (carnival) in Cuba. The drums used in carnaval could have been referred to as tambores de conga since they played the rhythm la conga, and thus translated into English as conga drums.

...
Wikipedia