Spouge

Music of The Anglophone Caribbean
Genres
Calypso Chutney Dancehall Dub Junkanoo Ragga Rapso Reggae Ripsaw Rocksteady Scratch Ska Soca Spouge Steelpan
Regional music
Local forms	Anguilla Antigua and Barbuda Bahamas Barbados Bermuda British Caribbean Caymans Grenada Montserrat St. Vincent and the Grenadines St. Kitts and Nevis Turks and Caicos UK Virgin Islands US Virgin Islands Other Anglophone islands
Related areas	Aruba and the Dutch Antilles Cuba Dominica Dominican Republic Guadeloupe Guyana Haiti Jamaica Martinique Puerto Rico St Lucia Suriname Trinidad and Tobago

Spouge is a style of Barbadian popular music created by Jackie Opel in the 1960s. It is primarily a fusion of Jamaican ska with Trinidadian calypso, but is also influenced by a wide variety of musics from the British Isles and United States, include sea shanties, hymns and spirituals. Spouge instrumentation originally consisted of cowbell, bass guitar, trap set and various other electronic and percussion instruments, later augmented by saxophone, trombone and trumpets. Of these, the cowbell and the guitar are widely seen as the most integral part of the instrumentation, and are said to reflect the African origin of much of Barbadian music.

Two different kinds of spouge were popular in the 1960s, raw spouge (Draytons Two style) and dragon spouge (Cassius Clay style). The spouge industry grew immensely by the end of the 1970s, and produced popular stars like Blue Rhythm Combo, the Draytons Two and The Troubadours, Desmond Weekes. Desmond Weekes the former lead singer of the Drayton Two claims the 1973 album Raw Spouge to be "the only 100 per cent spouge album ever produced". The album topped the charts in a number of islands, including St. Kitts, St. Lucia and Dominica.

In 1950, Opel sang with a band at Coconut Creek Club, St James and his Jackie Wilson like voice soon made him popular. He appear on some local shows with well-known overseas performers, and Jackie Opel the supporting act usually became the star performer as he vigorously performed every note and "out shone" the star. During this time Ska the forerunner beat to the reggae was popular in Jamaica and calypso was popular in Trinidad. So Jackie Opel and his band the troubadours developed the Spouge beat which was to be Barbados' answer to Ska in Jamaica and Calypso in Trinidad. Spouge became so popular that every local band and singer in Barbados and throughout the Caribbean recorded their music using the Spouge beat. Spouge's popularity spread throughout the Caribbean to the extent that the Spouge beat became even more popular than Ska or Calypso.

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Wikipedia