Neo-Medieval music

Neo-Medieval music is a modern popular music characterized by elements of Medieval music and early music in general. Music styles within neo-Medieval music vary from authentic performance interpretations of Medieval music (understood as Classical music) to crossover genres that blend Medieval instruments, such as bagpipe, shawm and hurdy-gurdy with electronic music and rock. In many cases, it is more or less overlapping with styles such as folk rock, electric folk and neofolk.

Bands specializing in neo-Medieval music are particularly plentiful in Germany, although the genre also enjoys some popularity in North America, the Czech Republic, the Netherlands, France, United Kingdom, Italy and the Scandinavian countries.

It is difficult to point to the exact origins of neo-Medieval music. One could argue that all Medieval-sounding tunes written after the Middle Ages are in some way neo-Medieval music; this definition would include music from as early as the Renaissance and onwards. Other examples of early neo-Medievalism in music would also include a number of Romantic composers such as Niels W. Gade, Edvard Grieg, and Felix Mendelssohn (who often used Medieval- and folk-style tunes in their music), as well as parts of the Carmina Burana by Carl Orff, and many movie soundtracks from the 20th century.

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