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Macau is a Special Administrative Region of the China. It was formerly a colony of Portugal, which left a legacy of linguistic and other cultural elements. The music is called Macanese music, a mixture of Chinese and Portuguese music.
This kind of hybrid music had its boom in early 20th century and the groups that used to perform it were called "Tunas". In Portugal, the "tuna" groups consisted of young men which would get together at universities and form estudiantina-like groups, but in Macau, this kind of musical group took a different orientation, blending it with Carnival ballroom celebrations and street festivities. The repertoire consisted of carnival marches, ballads, waltzes, cantonese-inspired ballads, fados, polkas, etc.
One of the most known songs from this period was the version in Patuá for the Brazilian carnival march "Mamãe eu Quero", which received the title "Mama Sa Filo". Also, the popular Portuguese song "Oh Careca tira a bóina" (Portuguese for: Hey bald man, take off the beret) received also a Macanese version, named "Sium Careca”; also worth of mention are the version in patuá for the fado song "Uma Casa Portuguesa", named "Unga Casa Macaísta" and the songs "Bastiana" and "Assi Sa Macau". This last one is a composition of the cultist of patuá language in the territory, the poet, composer and theatre director José dos Santos Ferreira, nicknamed "Adé", a prolific composer of music in patuá.
The Macanese group Tuna Macaense, with which Adé was closely associated, emerged in 1935 and still perform today, although with some changes in its line-up. It currently has eight members (António Lopes – mandolim, guitar, vocal and percurssion; Rui Coelho – mandolim, bass, solo guitar and singing; Filomena Jorge – bass, rhythm guitar, solo guitar and singing; Carlos Pereira – drums and percussion; Judas Manhão Jorge – solo guitar; Pedro Santos – bass and percurssion; Isabel Carvalhal – singing and percussion; A Yiu - keyboard).