Michele Sanmicheli (also spelled Sanmmicheli, Sanmichele or Sammichele) (1484–1559), was a Venetian architect and urban planner of Mannerist-style, among the greatest of his era. A tireless worker, he was in charge of designing buildings and religious buildings of great value.
Hired by the Serenissima as a military architect, he designed also numerous fortifications in the extensive Venetian empire, thus ensuring a great reputation. In fact, not only in Italy, where you can find his works in Venice, Verona, Bergamo and Brescia, he worked also in Dalmatia, Zadar, Sibenik, Crete and Corfu. He was probably the only Venetian architect of the sixteenth century to have had the opportunity to study Greek architecture, a possible source of inspiration for the use of Doric columns without bases.
Sanmicheli was born in San Michele, a quarter of Verona, which at the time was part of the Venetian terra ferma. He learnt the elements of his profession from his father Giovanni and his uncle Bartolomeo, who both practised successfully as builder-architects in Verona. Like Jacopo Sansovino he was a salaried official of the Republic of Venice, but unlike Sansovino, his commissions lay in Venetian territories outside Venice; he was no less distinguished as a military architect, and was employed in strengthening Venetian fortifications in Crete, Candia, Dalmatia and Corfu as well as a great fort at the Lido, guarding the sea entrance to the Venetian lagoon. In visiting Cyprus and Crete for the Serenissima Sanmicheli is probably the only practicing Venetian architect of the sixteenth century to have had the opportunity to see Greek architecture, a possible source for his use of Roman Doric columns without bases.
He went at an early age to Rome, probably to work as an assistant to Antonio da Sangallo the Elder, where he had opportunities to study classic sculpture and architecture. In 1509 he went to Orvieto where he practiced for the next two decades. Among his earliest works are the first design of the duomo of Montefiascone, initiated in 1519, an octagonal building surmounted with a dome, and the church of Santa Maria delle Grazie, he designed and built the funerary chapel for the Petrucci family in the Gothic church of San Domenico in Orvieto. Several palazzi at both places are attributed to him.