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Mexican feather work


Mexican feather work, also called "plumería", was an important artistic and decorative technique in the pre-Hispanic and colonial periods in what is now Mexico. Although feathers have been prized and feather works created in other parts of the world, those done by the amanteca or feather work specialists impressed Spanish conquerors, leading to a creative exchange with Europe. Featherwork pieces took on European motifs in Mexico. Feathers and feather works became prized in Europe. The "golden age" for this technique as an art form was from just before the Spanish conquest to about a century afterwards. At the beginning of the 17th century, it began a decline due to the death of the old masters, the disappearance of the birds that provide fine feathers and the depreciation of indigenous handiwork. Feather work, especially the creation of "mosaics" or "paintings" principally of religious images remained noted by Europeans until the 19th century, but by the 20th century, the little that remained had become a handcraft, despite efforts to revive it. Today, the most common feather objects are those made for traditional dance costumes, although mosaics are made in the state of Michoacán, and feather trimmed huipils are made in the state of Chiapas.

The use of feather for decorative purposes has been documented in many parts of the world in the past. In the New World, it is known to have had ceremonial use and ranking purposes, especially in attire in what are now Brazil and Peru. In Mesoamerica, their use became highly developed with some of the most intricate examples coming from what is now central Mexico. One reason for this was their symbolic and religious use. Much of this symbolism arose with the spread of the worship of the Toltec god/king Quetzalcoatl, depicted as a serpent covered in quetzal feathers. Quetzalcoatl was said to have discovered gold, silver and precious stones. When he fled Tula, he released all kind of birds he was breeding. The Aztec main god, Huitzilopochtli, is associated with the hummingbird. His origin is from ball of fine feathers that fell on his mother, Coatlicue, and impregnated her. He was born fully armed with an eagle feather shield, fine plumage in his head and on his left sandal.


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