Maria Tallchief | |
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Tallchief in 1961
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Born |
Elizabeth Marie Tall Chief January 24, 1925 Fairfax, Oklahoma, U.S. |
Died | April 11, 2013 Chicago, Illinois, U.S. |
(aged 88)
Occupation | Prima ballerina |
Years active | 1942–1966 |
Height | 5 ft 9 in (1.75 m) |
Spouse(s) |
George Balanchine (1946-1952; annulled) Elmourza Natirboff (1952-1954; divorced) Henry D. Paschen, Jr. (1956-2004; his death) |
Children | Elise Paschen |
Former groups |
Ballet Russe de Monte Carlo New York City Ballet |
Dances |
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Elizabeth Marie "Betty" Tall Chief (Osage family name: Ki He Kah Stah Tsa; January 24, 1925 – April 11, 2013) was an American ballerina. She was considered America's first major prima ballerina, and was the first Native American to hold the rank.
Almost from birth, Tall Chief was involved in dance, starting formal lessons at age three. When she was eight, her family relocated from her birth home of Fairfax, Oklahoma, to Los Angeles, California, to advance the careers of her and her younger sister, Marjorie. At age 17, she moved to New York City in search of a spot with a major ballet company, and, at the urging of her superiors, took the name Maria Tallchief. She spent the next five years with the Ballet Russe de Monte Carlo, where she met legendary choreographer George Balanchine. When Balanchine co-founded what would become the New York City Ballet in 1946, Tallchief became the company's first star.
The combination of Balanchine's difficult choreography and Tallchief's passionate dancing revolutionized the ballet. Her 1949 role in The Firebird catapulted Tallchief to the top of the ballet world, establishing her as a prima ballerina. Her role as the Sugarplum Fairy in The Nutcracker transformed the ballet from obscure to America's most popular. She traveled the world, becoming the first American to perform in Moscow's Bolshoi Theater. She made regular appearances on American TV before she retired in 1966. After retiring from dance, Tallchief was active in promoting ballet in Chicago. She served as director of ballet for the Lyric Opera of Chicago for most of the 1970s, and debuted the Chicago City Ballet in 1981.