Lombez Cathedral
| Lombez Cathedral Cathédrale Sainte-Marie de Lombez |
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Lombez Cathedral
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| Basic information | |
| Location |
Lombez,  France
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| Geographic coordinates | Coordinates: 43°28′28″N 0°54′38″E / 43.47444°N 0.91056°E |
| Affiliation | Roman Catholic Church |
| Province | Diocese of Lombez |
| Region | Ariège |
| Country | France |
| Ecclesiastical or organizational status | Cathedral |
| Status | Active |
| Architectural description | |
| Architectural type | church |
| Groundbreaking | 14th-century |
Lombez Cathedral (Cathédrale Sainte-Marie de Lombez) is a Roman Catholic church in Lombez, France. The cathedral is a national monument.
It was the seat of the former Diocese of Lombez, suppressed by the Concordat of 1801 and divided between the Diocese of Bayonne and the Archdiocese of Toulouse.
This is a 14th-century brick church with an ornate pink-and-white five-tiered octagonal bell tower constructed c. 1346. A plaque to the right of the plain west entrance records the visit of the Italian poet Petrarch in 1330, arranged by the bishop, Jacques Colonna (1328–41), also of Italian extraction, who made Petrarch an honorary canon in 1335. The typical blank west façade of meridional Gothic is relieved only by a small roundel and the Flamboyant entrance in stone. The severe exterior is characteristic of the MIDI Toulousain region with tall buttresses around the chevet.
Below the tower in the interior is a remarkable 12th-century baptistry, which was part of an earlier church. The lead baptismal font is made of two pieces, the lower part decorated with religious figures in medallions in the style of the 13th century, and the upper part with a frieze of secular scenes of antique design. The stopper in the base suggests it was used for total immersion which was practised until the 9th century.
Other items of note are the 17th-century walnut choir stalls, the altar in Carrara marble consecrated in 1753, and the 18th-century organ at the west end. The three panels of brilliantly colored 15th–16th-century glass in the chevet are by the followers of Arnaud de Moles, restored in the 19th century, and illustrate scenes from the Life of Christ and from the Passion. The rest of the glass is 19th-century.
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