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Ivo Maček

Ivo Maček
Born (1914-03-24)March 24, 1914
Died May 26, 2002(2002-05-26) (aged 88)
Era 20th century
Notable work http://quercus.mic.hr/quercus/person/306

Ivo Maček, academician, prominent Croatian pianist, composer, teacher and editor, was born in Sušak on March 24, 1914, and died in Zagreb on May 26, 2002. On account of his diverse social work, for his work as pianist, composer and editor, he was the recipient of numerous awards and recognitions.

Ivo Maček was born in Sušak on March 24, 1914, and died in Zagreb on May 26, 2002. He inherited his love for music from his parents, Dr Pavao (1880–1932) and Marija Maček née Heffler (1892–1978). And while his father, a history and geography teacher, played "two or three instruments" in his youth, his mother learned piano and violin and played the viola in the Society Orchestra of the Croatian Music Institute in Zagreb until her death in 1978. In 1922, he started his music education with a private teacher, Vjekoslav Rosenberg-Ružić (1870–1954). From the very next year he went on studying the piano with Rosenberg-Ružić in the Junior Music School in Zagreb, and then in the Secondary Music School (1927–1931), and then at the High School of the State Music Academy in Zagreb. In 1934, just a year after graduating from the Second Classics High School in Zagreb, he took a certificate in the piano, his major, taking the Vjekoslav Klaić Prize of the Croatian Music Institute as the best student of the year.

When his course was over, Maček went to Svetislav Stančić (1895–1970) for further studies, and then, although brought up in the tradition of the German pianistic school, he continued his studies in 1939 in Paris with the French pianist Alfred-Denis Cortot (1877–1962). With Cortot he mastered an interpretative technique that was always there to serve style and poetic idea. Amalgamating the best features of both schools, German precision, speed and huge sound, and French expressiveness and fine shading, Maček developed into a pianist who avoided any endeavour to find favour with the public via superficial virtuosity. He was a refined interpreter, precise and readable in his performance, with a discreet and unobtrusive style. He gave concerts in many cities of Croatia and the former Yugoslavia as well as in Austria, Czechoslovakia, Egypt, France, Great Britain, Hungary, Ireland, Italy, Lebanon, Poland, Slovakia and Switzerland. His career as a soloist lasted from 1926 to 1958. He broke a long period of silence as solo performer with a concert performance on October 30, 1994, when he gave the first performance of his own Concertino for Piano and Chamber Orchestra in the Croatian Music Institute in Zagreb accompanied by the Croatian Chamber Orchestra conducted by Pavle Dešpalj.


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