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Hans Hellmut Kirst


Hans Hellmut Kirst (5 December 1914 – 13 February 1989) was a distinguished German novelist and the author of 46 books, many of which were translated into English. Kirst is best remembered as the creator of the "Gunner Asch" series which detailed the ongoing struggle of an honest individual to maintain his identity and humanity amidst the criminality and corruption of Nazi Germany.

Hans Hellmut Kirst was born in Osterode, East Prussia. Osterode is today placed in the Polish part of the former German province.

Kirst joined the German Army in 1933 and served as an officer during World War II, ending the war as a First Lieutenant. Kirst was a member of the Nazi Party, stating later that he had "confused National Socialism with Germany".

Kirst later indicated that after the war he did not immediately believe accounts of Nazi atrocities. "One did not really know one was in a club of murderers", he recalled.

Kirst's first novel was published in 1950, translated into English as The Lieutenant Must Be Mad. The book told of a young German officer who sabotaged a Nazi garrison.

Kirst won an international reputation with the series Null-acht, fünfzehn (Zero-Eight, Fifteen), a satire on army life centered on Gunner Asch, a private who manages to buck the system. Initially conceived as a trilogy — 08/15 in der Kaserne (1954), 08/15 im Krieg (1954), 08/15 bis zum Ende (1955) — the three book narrative was expanded to five with the publication of 08/15 Heute in 1963 and 08/15 in der Partei in 1978. The series follows the career of Asch, a common man in an impossible situation, from the years before World War II, to the Eastern Front, and finally into the world of post-war Germany.

The Gunner Asch series was published in English as: The Revolt of Gunner Asch (1955), Forward, Gunner Asch! (1956),The Return of Gunner Asch (1957), What Became of Gunner Asch (1964), and Party Games (1980).

Other major novels by Kirst set during the Third Reich and World War II include Officer Factory, about the investigation into the death of a training officer in an Officer School near the end of World War II, Last Stop, Camp 7, the story of 48 hours in an internment camp for former Nazis, The Wolves, a tale of crafty resistance in a German village, and The Nights of the Long Knives, about a fictitious 6-man squad of SS hit men. All of these novels featured Kirst's unique blend of deadpan humor and devastating satire, with leading characters often shown positioning themselves as outspoken, ardent Nazis during the Third Reich era before effortlessly flipping to become equally ardent in their claims to have been anti-Nazi and 100% pro-democracy or pro-communist, whichever was to their advantage, after the tide turned.


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