Generation Terrorists | ||||
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Studio album by Manic Street Preachers | ||||
Released | 10 February 1992 | |||
Recorded | July–December 1991 | |||
Studio | Black Barn Studios in London, England | |||
Genre | ||||
Length | 73:11 | |||
Label | Columbia | |||
Producer | Steve Brown, The Bomb Squad (track 8) | |||
Manic Street Preachers chronology | ||||
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Singles from Generation Terrorists | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
AllMusic | |
Alternative Press | |
BBC | favourable |
Clash | 8/10 |
Drowned in Sound | 8/10 |
The Guardian | |
The Independent | |
NME | 10/10 |
Q | |
The Quietus | favourable |
Generation Terrorists is the debut studio album by Welsh alternative rock band Manic Street Preachers. It was released on 10 February 1992 through record label Columbia.
On the back of significant media attention and a "disproportionately high press profile" generated by the band's previously released single "Motown Junk" from 1991,Generation Terrorists was long-awaited by critics thanks to the members' proclamation that their debut would be the "greatest rock album ever" and sell around sixteen million copies around the world, "from Bangkok to Senegal". Recorded between July and December 1991 and released in February 1992, the album did not meet these sales figures but it was nonetheless ultimately certified Gold in the United Kingdom and also charted within the Top 100 in Japan.
Generation Terrorists was recorded by tracking (the band recording each instrument separately rather than playing it as a live band and then adding the overdubs later) over a period of twenty-three weeks at Blackbarn Studios, near Guildford, England. Despite being credited in the album notes, lyricist Richey Edwards did not play on the album; instead, all guitar parts were played by vocalist James Dean Bradfield.
Describing the album's musical style, The Quietus opined "It had to sound passé, it had to be overdone; if you're trying to bulldoze the shiny edifice of western pop culture, you can't do it tastefully or with subtlety, can you? [...] Generation Terrorists intentionally overplays its hand, overeggs its pudding and spunks its load at every turn". and Pitchfork writer Joe Tangari wrote that Generation Terrorists "walked a weird line between agit-punk, cock rock, romantic melodicism and glam, and was so obviously patterned after The Clash's London Calling that it was actually kind of cute."Allmusic, Rolling Stone and PopMatters labeled the album as "hard rock, glam rock and punk rock," respectively. Other influences on the album's sound include Guns N' Roses and New York Dolls.