François Pompon
| François Pompon | |
|---|---|
Pompon, c. 1918
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| Born |
9 May 1855 Saulieu, Burgundy, France |
| Died | 6 May 1933 (aged 77) Paris, France |
| Nationality | French |
| Education | École nationale supérieure des arts décoratifs |
| Known for | Sculpture |
| Notable work | L'Ours Blanc (The White Bear) |
| Movement | Animalier |
François Pompon (9 May 1855 – 6 May 1933) was a French sculptor and animalier. Pompon made his Salon debut in 1879, exhibiting a statue of Victor Hugo's Cosette (from Les Misérables). He was a pioneer of modern stylized animalier sculpture. He was not fully recognized for his artistic accomplishments until the age of 67 at the Salon d'Automne of 1922 with the work "Ours blanc", also known as "the White Bear". Pompon died in Paris, France, on 6 May 1933.
Pompon, the son of a cabinet maker, was born on 9 May 1855 in Saulieu, Burgundy, France. At age 15 he was working as an apprentice marble carver in a Dijon funerary monument company, but soon thereafter took up studies at the school of fine arts in Dijon. By 1873 his family had moved to Paris where the Franco-Prussian War had caused significant damage to the French capital just a few years prior to his arrival. Pompon found work on rebuilding projects, beginning with his work to produce architectural ornamentation for the new Hotel de Ville de Paris.
Beginning in 1876 he studied under the noted animalier sculptor Pierre Louis Rouillard at the École nationale supérieure des arts décoratifs. In order to support himself, he took jobs as a craftsman working for Antonin Mercié, Alexandre Falguière, and Renae de Saint-Marceaux. Later he worked as Auguste Rodin's assistant. Rodin once told him, "you will be a great artist" after viewing one of his sculptures. Pompon made his Salon debut in 1879, exhibiting a statue of Victor Hugo's Cosette (from Les Misérables). In subsequent Salons he presented some works in the form of a few bronzes and plasters. As it turned out Rodin was correct—he would become a great artist—but it would take nearly 50 more years for Pompon to be truly discovered and recognized for his innovative style. He had some mild success in 1919 when the Muse de Luxembourg purchased a turtle dove he had sculpted in stone. Following this, the Muse de Grenoble purchased three plaster works in 1921.
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