Cittern
"Woman with cittern", canvas painted 1677 by Pieter van Slingelandt (ca. 1630-1691).
|
|
| Other names | Fr. cistre, It. cetra, Ger. zitter, zither, Sp. cistro, cedra, cítola |
|---|---|
| Hornbostel–Sachs classification |
321.322-5 or 321.321-5 (necked box lute, plucked with fingers) |
| Related instruments | |
The cittern or cithren (Fr. cistre, It. cetra, Ger. zitter, zither, Sp. cistro, cedra, cítola) is a stringed instrument dating from the Renaissance. Modern scholars debate its exact history, but it is generally accepted that it is descended from the Medieval citole, or cytole. It looks much like the modern-day flat-back mandolin and the modern Irish bouzouki. Its flat-back design was simpler and cheaper to construct than the lute. It was also easier to play, smaller, less delicate and more portable. Played by all classes, the cittern was a premier instrument of casual music-making much as is the guitar today.
The cittern is one of the few metal-strung instruments known from the Renaissance period. It generally has four courses (single, pairs or threes) of strings, one or more course being usually tuned in octaves, though instruments with more or fewer courses were made. The cittern may have a range of only an octave between its lowest and highest strings and employs a re-entrant tuning - a tuning in which the string that is physically uppermost is not the lowest, as is also the case with the five-string banjo and most ukuleles for example. The tuning and narrow range allow the player a number of simple chord shapes useful for both simple song accompaniment and dances, however much more complex music was written for it. Its bright and cheerful timbre make it a valuable counterpoint to gut-strung instruments. The Spanish bandurria, still used today, is a similar instrument.
From the 16th until the 18th century the cittern was a common English barber shop instrument, kept in waiting areas for customers to entertain themselves and others with, and popular sheet music for the instrument was published to that end. The top of the pegbox was often decorated with a small carved head, perhaps not always of great artistic merit; in Shakespeare's Love's Labours Lost, the term "cittern-head" is used as an insult:
...
Wikipedia