Barbara Astman
| Barbara Astman | |
|---|---|
| Born |
Barbara Anne Astman July 12, 1950 Rochester, NY |
| Education | RIT (School for American Craftsmen), OCA |
| Awards | Ontario Arts Council, Canada Council |
| Website | www |
Barbara Astman, RCA, is a Canadian artist who specializes in a hybrid of photography and new media; often using her own body as object and subject, merging art and technology.
Astman was born in Rochester, New York, the second of three children of Bertha (née Meisel, a homemaker) and George Astman (an auto mechanic and salesman.) She received her Associate degree at the Rochester Institute of Technology’s School for American Craftsmen. In 1970, she moved to Toronto, Ontario, Canada to study at the Ontario College of Art (now OCAD University,) and graduated with an Associate degree (A.O.C.A.).
Astman’s practice is partly composed of public art installations in Canada and abroad, including an installation at the Calgary Winter Olympics in 1987. Recently, she completed a project for the new Canadian Embassy in Berlin, Germany consisting of a fritted glass tower wall. She joined the faculty of OCAD in 1975 and is a Professor in the Faculty of Art. Her work is in both in both public and private collections; she is represented by the Corkin Gallery, Toronto.
In the 1970s, she began exploring Polaroid technology and Xerography as a vehicle for art making. Her first successful solo show was held in 1973, at Toronto's Baldwin Street Gallery of Photography. Two years later, the Still Photography Division of the National Film Board of Canada now called the Canadian Museum of Contemporary Photography, Ottawa hosted her first museum show. Astman began the Colour Xerox Artist’s Program at Visual Arts Ontario in 1977. She sat on the Board of Directors at the Art Gallery at Harbourfront (now called The Power Plant) from 1983-85. Since then, other board positions have included: the City of Toronto, Public Art Commission; the Curatorial Team for the International WaterWorks Exhibition in 1988. Her initial commercial venture was the creation of the album cover for the first Loverboy record for CBS Records.
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