Vagif Mustafazadeh
| Vagif Mustafazadeh Vaqif Mustafazadə |
|
|---|---|
| Born |
March 16, 1940 Baku, USSR |
| Died | December 16, 1979 (aged 39) Tashkent, Uzbekistan SSR |
| Genres | Jazz |
| Occupation(s) | Composer, musician |
| Instruments | Piano |
| Years active | 13 years |
| Website | www.vagif.musigi-dunya.az |
Vagif Mustafazadeh (Azerbaijani: Vaqif Mustafazadə; March 16, 1940 – December 16, 1979), also known as Vaqif Mustafa-Zadeh, was an Azerbaijani jazz pianist and composer, acclaimed for fusing jazz and the traditional Azerbaijani folk music known as mugham. According to many world famous jazz musicians, Mustafazadeh is one of the pioneers and "the architect of jazz in Azerbaijan".
Mustafazadeh was born in Old City, the historic core of Baku, on March 16, 1940. His name was chosen by the renowned poet, Samed Vurgun, on the request of his mother, who was a piano teacher in local music school and played very influential and immeasurable role in his success.
In 1963, he graduated from Baku State Musical School named after Asaf Zeynally and a year later accepted to Azerbaijan State Conservatoire. He first achieved fame at the Music School where he studied by giving concerts there, later on performing at the parties and evenings held at the universities and clubs, shortly after he became one of the most influential musical performers in Azerbaijan. While performing at the clubs, he mainly played classical jazz, as well as blues and dance music.
Musical prohibitions during the 1940s and 1950s meant that the playing of jazz was banned in the USSR, including Azerbaijan. Since there was no opportunity to get jazz records from anywhere, Mustafazade listened to jazz pieces, learning from movies where he heard jazz music and BBC radio and sang Meykhana, rhythmic poetry, which had also been banned. After listening on the radio, he and his friend Vagif Samadoglu attempted to recreate the music on the piano.
From the 1960s, prohibitions put on jazz music were gradually lifted and thus the late 1960s and 70s became a time when Baku was a real center of locally inspired jazz. By this time, Mustafazade was making his way to his audience and his popularity grew. His name was often mentioned among other jazz musicians and he participated in festivals held in his native land, as well as in and outside the Soviet countries. Since making a strong impression in his early years at college, his music progressed and popularity grew; he appeared in many festivals.
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