Zapata: El sueño del héroe | |
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Poster of zapata: El sueño del héroe
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Directed by | Alfonso Arau |
Produced by |
Pliny Porter Alfonso Arau |
Written by | Alfonso Arau |
Starring |
Alejandro Fernández Patricia Velásquez |
Music by | Ruy Folguera |
Cinematography | Vittorio Storaro |
Edited by | Carlos Puente |
Release date
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2004 |
Country | Mexico |
Language | Spanish / Nahuatl |
Zapata: El sueño del héroe (in English: Zapata: The dream of a hero), also titled simply Zapata, is a Mexican motion picture first released in 2004.
This fictionalized portrayal of Emiliano Zapata, played by Alejandro Fernández, as an Indigenous Mexican shaman, directed by Alfonso Arau, was reportedly the most expensive Mexican movie ever produced, with a massive ad campaign, and the largest ever opening in the nation's history. Unusual in the Mexican film industry, Zapata was financed independently.
Zapata made its U.S. debut at the Santa Fe Film Festival on December 3, 2004 at the Center for Contemporary Arts in Santa Fe, New Mexico.
The film happens in the last quarter of the 19th century and the first nineteen years of the twentieth, during the dictatorship of Porfirio Díaz (Justo Martínez), the presidency of Francisco I. Madero, the military revolt of Victoriano Huerta (Jesús Ochoa), the Convention of Generals and, finally, the death of Zapata (Alejandro Fernández), already in the constitutionalist stage of Venustiano Carranza. The film does not try to be a chair of history but a fable that obtains the identification of the spectators with the hero, through the successive confrontation of the protagonist with the power, represented in the antagonistic figure of Victoriano Huerta. In it, Emiliano Zapata appears like predestining, "the signal" in his chest, the mark or spot with the form of a little hand is the sign that identifies him as "the one" by the Huehuetlatolli (the heirs of the tradition) to be their guide. Thus, we see the birth of Emiliano, where he is recognized like the possible leader of his town. Zapata will have to break with his vision of the "real reality" and to enter in that other magical knowledge of the Mexican tradition and its inscrutable religious "sincretismo".