Willem Arondeus
| Willem Arondeus | |
|---|---|
 |
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| Born |
Willem Johan Cornelis Arondeus 22 August 1894 Naarden |
| Died | 1 July 1943 (aged 48) Haarlem |
| Citizenship | Dutch |
| Occupation | Artist, writer |
| Known for | Member of the Dutch Resistance |
| Notable work | Matthijs Maris: de tragiek van den droom ('The Tragedy of the Dream') |
Willem Arondeus (22 August 1894 – 1 July 1943) was a Dutch artist and author, who joined the Dutch anti-Nazi resistance movement during World War II. He participated in the bombing of the Amsterdam public records office to hinder the Nazi German effort to identify Dutch Jews. Arondeus was caught and executed soon after his arrest.
Arondeus was openly gay before the war and defiantly asserted his sexuality before his execution.
Willem Arondeus was born in Naarden, as the youngest son of an Amsterdam fuel trader. His parents were Hendrik Cornelis Arondeus and Catharina Wilhelmina de Vries. He started working as an illustrator, designer of posters and tapestries and a painter. In 1923 he was commissioned to paint a large mural for Rotterdam City Hall. During that same period, he illustrated poems by J. H. Leopold, Pieter Cornelis Boutens and Martinus Nijhoff. He admired the older Dutch designer Richard Roland Holst, as can be seen in his work. He did not attain much fame and lived in impoverished circumstances.
Around 1935, he gave up visual arts and became an author. The poems and stories he had written in the 1920s went unpublished, but in the year 1938 he published two novels, Het Uilenhuis ('The Owls House') and In de bloeiende Ramenas ('In the Blossoming Winter Radish'), both illustrated with designs by Arondeus himself. The year 1939 saw the publication of his best work, Matthijs Maris: de tragiek van den droom ('The Tragedy of the Dream'), a biography of the painter Matthijs Maris, who was a brother of the Dutch artists Jacob and Willem Maris. Two years later, Figuren en problemen der monumentale schilderkunst in Nederland ('Figures and Problems of Monumental Painting in the Netherlands') was published, again with designs by the author. At that date, however, Arondeus was already involved with the Dutch resistance movement.
In the spring of 1941, Arondeus started an underground periodical in which he tried to incite his fellow artists to resist the Nazi occupation of the Netherlands. Earlier than others, Arondeus realized that the demand by the Nazi occupiers that all Jews register with the local authorities was not, as the Nazis claimed, for their own safety, but rather so they could be deported to the Westerbork concentration camp and from there to the death camps in occupied Poland. In the spring of 1942, Arondeus founded Brandarisbrief, an illegal periodical in which he expressed the artist’s opposition to the edicts imposed by the Reichskulturkammer (Reich Chamber of Culture), the Nazis' cultural committee. In 1943, Brandarisbrief merged with De Vrije Kunstenaar ("The Free Artist"), where sculptor Gerrit van der Veen was one of the editors. Together with composer Jan van Gilse and a number of other artists and intellectuals, the group called for mass resistance against the German occupation.
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